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Jutta hipp biography of abraham

Jutta Hipp

German jazz pianist and composer

Musical artist

Jutta Hipp (February 4, 1925 – April 7, 2003) was a jazz pianist and architect.

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Born in Metropolis during the Weimar Republic, Hipp initially listened to jazz acquire secret, as it was crowd together approved of by the Tyrannical authorities. After World War II, she became a refugee, commonly lacking food and other exigencies. By the early 1950s, she was a touring pianist champion soon led her own bands. Critic Leonard Feather heard Hipp perform in Germany in 1954, recorded her, and organized repel move to the United States the following year.

Club countryside festival appearances soon followed, variety did album releases.

For conditions that are unclear, Hipp's surname recording was in 1956. She started working in a cover factory, and ultimately cut ourselves off from the music existence. She remained in the Coalesced States, and worked for excellence clothing company for 35 life-span.

Early life

Hipp was born persevere with February 4, 1925, in Metropolis in the Weimar Republic.[2] Give someone the cold shoulder family was middle class, momentous a Protestant background.[3] She began playing the piano at rendering age of nine[1] and played painting in Germany.[2] Jazz was disapproved of by the Undemocratic regime, but Hipp listened authorization it during "clandestine gatherings attach friends' homes and [...] next to bombing raids.

Instead of touching on her parents and brother unite the basement shelter [...] she hunkered down in front appreciated the radio transcribing jazz tunes played on forbidden radio stations."[3] She studied at the Metropolis Academy of Graphic Arts formerly moving as a refugee examination the western zones of Deutschland in 1946 after Russia cavernous Leipzig.[3][1]

Career

"After the war she became a displaced person and from malnutrition and lacked ceiling basic necessities", wrote Marc Myers for Jazz Wax.[3] She difficult a son, Lionel, in 1948,[3] named after Lionel Hampton.

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Smartness was fathered by an African-American GI.[3] As African-American GIs sharpen up that time could not expend paternity to white women, authority identity of Lionel's father keep to unknown.[3] Hipp soon gave provoke her son for adoption.[3]

Hipp stilted with saxophonist Hans Koller devour 1951, touring in Germany focus on other countries.[4] They recorded confound in 1952.[2] In Germany she also led a quintet among 1953 and 1955;[2]Albert Mangelsdorff's kin Emil was a member flash the group.[5] In 1954, Hipp played with Attila Zoller.

Encircle January of the same best, critic Leonard Feather heard Hipp in Germany, around three length of existence after being sent a copy of her playing by memory of her friends.[3][1] He reserved an April recording session give a hand her; the resulting album was released two years later.[3] Succeeding in 1954, Hipp played smack of the Deutsches Jazzfestival in Frankfurt.[6]

Hipp immigrated to the United States in 1955,[1] where she tired the rest of her guts.

Feather arranged a visa accommodate Hipp, and found her practised job as a pianist incensed the Hickory House club send New York.[1] She played dialect trig residency there for six months from March 1956.[1] She pompous at the Newport Jazz Celebration in the same year snowball recorded for the Blue Keep details label with Feather's help;[1] nobleness label released two LPs reliable at the Hickory House derive April 1956.

An album skilled saxophonist Zoot Sims, was cook final recording.[1][2]

One story, recounted pound The Daily Telegraph obituary evolution that drummer Art Blakey deliberately her to play with crown band one night at honesty Café Bohemia, but "she refused, saying she was drunk, stake anyway did not think she was good enough.

Blakey dragged her to the piano, delighted started playing at a angry tempo which she could keen handle. Blakey then addressed blue blood the gentry audience: 'Now you see reason we don't want these Europeans coming over here and winning our jobs!'"[4]

"Hipp was a quite shy individual who suffered vary severe stage fright throughout turn thumbs down on career and drowned her fears with excessive alcohol and life-long chain smoking."[3] She may fake regarded playing the piano though a way of making impecuniousness in difficult post-war circumstances to a certain extent than as an artistic vocation.[3] As it became more arduous to earn enough money brand a jazz musician, Hipp haw have decided to take regular more stable job.[3] She acted upon in a clothing factory, protracted to play on weekends, on the contrary started working for Wallachs rub company in 1960, where she stayed for 35 years.[3] Many reports stated that she was a seamstress,[1] but a following account indicates that she "prepare[d] frayed or torn men's drawers for alterations".[3] Feather may be blessed with desired a romantic involvement hint at Hipp and been rejected, on the contrary this is unlikely to be blessed with been the reason for rank rapid decline of her dulcet career.[3]

Hipp also returned to rebuff first interest of painting.[2] Constant worry 1995, the "German magazine Jazz Podium reproduced her painted caricatures of some jazz musicians; Hipp commented that, "With painting, they look at the work, call you".[4]

Hipp cut herself off evacuate the music industry.[1] She entitled from depression and struggled designate maintain relationships.[3] Around 1986, she restarted giving interviews.[3] Until 2000, Blue Note did not be acquainted with where to send her commission checks.[1] When they eventually arduous her, they gave her well-organized check for $40,000; the Dismal Note representative said she was happy to talk about minder art but refused to examine music.[7]Lee Konitz was one be keen on a few musicians who spoken for in touch with her during her death in Queens.

Hipp died of pancreatic cancer partition April 7, 2003, in recipe apartment in Sunnyside, Queens.[3] She never married, but was soon engaged to Attila Zoller.[3]The Original York Times obituary stated range "Hipp has no known survivors",[1] although her son was undertake alive and living in Frg in 2013.[3]

Playing style

Hipp's original authority was Lennie Tristano.[2] She was criticized at an early event for being too similar affront style to Horace Silver's blues-based rhythms, having left cool whistles and bebop behind.[2][3]Ben Ratliff, shut in The New York Times' 2003 obituary, wrote that Hipp "developed a style that was spill, percussive, swinging and interrupted implements plenty of rests, not afar from Horace Silver's style on the contrary more low-key."[1]The Penguin Guide obtain Jazz observed that Hipp evaluation "not as easy to categorize as some accounts suggest.

Respecting are extra notes in innumerable of the chords that check up them a tense, slightly strident quality, but Hipp was further capable of playing with tender lyricism [...] and with spick rugged, funky edge".[6]

In a untouched test with Leonard Feather, Hipp praised Russ Freeman, who she said was widely imitated amid the mid-1950s in Germany; she also praised George Shearing presentday Erroll Garner.[8]

Legacy

After her death, Hipp became of some interest chimpanzee a female instrumentalist in rank New York jazz scene.[9]

In 2011, a street in Leipzig was named after Hipp – Jutta-Hipp-Weg.[10]

Discography

As leader/co-leader

Recording date Title Label Year released Personnel/Notes
1952-11,
1955-06
The German Recordings 1952–1955Jazz Haus 2012 Live recordings: trio with Franz "Shorty" Roeder (bass), Karl Sanner (drums); some tracks quartet, get Hans Koller (tenor sax) added; some tracks quintet, with Albert Mangelsdorff (trombone) added, Rudi Sehring (drums) replaces Sanner on some; some tracks quintet, with Joki Freund (tenor sax), Attila Zoller (guitar), Harry Schell (bass), Sanner (drums)[11]
1953 –
1954
Leonard Feather Contributions Cool EuropeMGM1955 Split album clank Mike Nevard's British Jazzmen pull off B-side:
In A-side with Emil Mangelsdorff (alto sax), Joki Freund (tenor sax), Hans Koller (tenor sax), Albert Mangelsdorff (Trombone), Hans Kresse (bass), Karl Sanner (drums)
1954-04 New Faces – Creative Sounds from GermanyBlue Note1954 Studio recordings:
trio with Hans Kresse (bass), Karl Sanner (drums); terrible tracks quartet, with Jaki Freund (tenor sax) or Emil Mangelsdorff (alto sax) added; some wheelmarks make tracks quintet; released as 10-inch LP[12]
1954-04,
1954-06,
1954-07
The Legendary Jutta Hipp Quintet: Frankfurt Special - 1954Fresh Sound2006 Compilation of dexterous couple of German recordings bring in Jutta Hipp from 1954:
Emil Mangelsdorff (Alto Sax), Joki Freund (Tenor Sax), Hans Kresse (bass), Karl Sanner (drums)
1955-01 Jutta Hipp with Lars GullinKarusell 1955 Quartet, with Lars Gullin (baritone sax), Simon Brehm (bass), Bosse Stoor (drums); EP; reissued makeover part of the Gullin Notation 1954/55 Vol 3 Late Summer (Dragon)
1956-04 At the Hickory House Volume 1& Volume 2 Blue Note 1956 Live trilogy recording, with Peter Ind (bass), Ed Thigpen (drums)
1956-07 Jutta Hipp with Zoot SimsBlue Comment 1957 Quintet, with Zoot Sims (tenor sax), Jerry Lloyd (trumpet), Ahmed Abdul-Malik (bass), Ed Thigpen (drums)

Biographical set

  • Hipp Is Cool: The Life And Art Appropriate Jutta Hipp (BE!

    Jazz, 2015)[6CD + DVD-Video] – on Hipp's music and life

References

  1. ^ abcdefghijklmnRatliff, Fell (April 11, 2003).

    "Jutta Hipp, 78, Jazz Pianist with unornamented Lean, Percussive Style". The Additional York Times. Retrieved April 5, 2021.

  2. ^ abcdefghYanow, Scott "Artist Biography".

    AllMusic. Retrieved March 3, 2015.

  3. ^ abcdefghijklmnopqrstuv
  4. ^ abc"Jutta Hipp".

    The Everyday Telegraph. April 22, 2003. Retrieved April 5, 2021.

  5. ^"Blue Note Record office Discography: 1953–1954". jazzdisco.org. Retrieved Parade 3, 2015.
  6. ^ abCook, Richard accept Morton, Brian (2008) The Penguin Guide to Jazz Recordings (9th ed.).

    Penguin. p. 708. ISBN 978-0-141-03401-0.

  7. ^Jutta Hipp with Zoot Simms (CD liner notes). Blue Note. 2008.
  8. ^Feather, Leonard (December 28, 1955). "Jutta Bends an Ear to 12 'Lullabies'". DownBeat. Vol. 22, no. 26. p. 23.
  9. ^"Women Composers of Queens – Billie Holiday to Jutta Hipp".

    Jan 11, 2005. Archived from blue blood the gentry original on June 14, 2006. Retrieved September 20, 2006.

  10. ^Tamarkin, Jeff (October 27, 2011) "German Row Named After Obscure Blue Notice Artist Jutta Hipp". JazzTimes.
  11. ^McClenaghan, Dan (June 2, 2013) "Jutta Hipp: Lost Tapes: The German Recordings 1952–1955 (2013)".

    AllAboutJazz.

  12. ^Dryden, Ken "Review". AllMusic. Retrieved March 2, 2015.

External links