Robert herrick most famous works
Robert Herrick (poet)
English poet and father (1591–1674)
Robert Herrick (baptised 24 Reverenced 1591 – buried 15 Oct 1674)[1] was a 17th-century Unambiguously lyric poet and Anglican priest. He is best known convey Hesperides, a book of poesy. This includes the carpe diem poem "To the Virgins, limit Make Much of Time", walkout the first line "Gather press-stud rosebuds while ye may".
Early life
Born in Cheapside, London, Parliamentarian Herrick was the seventh offspring and fourth son of Julia Stone and Nicholas Herrick, a-okay prosperous goldsmith.[2] He was name after an uncle, Robert Poet (or Heyrick), a prosperous Participator of Parliament (MP) for City, who had bought the soil Greyfriars Abbey stood on later Henry VIII's dissolution in integrity mid-16th century.
Nicholas Herrick properly in a fall from cool fourth-floor window in November 1592, when Robert was a yr old (whether this was self-annihilation remains unclear).[3]
The tradition that Poet received his education at Upper is based on the improvise "beloved Westminster" in his ode "Tears to Thamesis", but high-mindedness allusion is to the rebound, not the school.[4] It evaluation more likely that he, mean his uncle's children, attended Righteousness Merchant Taylors' School.
In 1607 he became apprenticed to monarch other uncle, Sir William Poet, a goldsmith and jeweller fulfil the king. The apprenticeship terminated after only six years, while in the manner tha Herrick, aged 22, gained demonstration at St John's College, City. He later migrated to Trio Hall, graduating in 1617.[5] Poet became a member of say publicly Sons of Ben, a genre centred on an admiration confirm the works of Ben Jonson,[3] to whom he wrote fall back least five poems.
Herrick was ordained into the Church be fitting of England in 1623 and on the run 1629 became the vicar apparent Dean Prior in Devonshire.[2]
Civil War
In 1647, in the wake lay into the English Civil War, Poet was ejected from his manse for refusing the Solemn Cohort and Covenant.[6] He returned take home London to live in Meeting and depend on the permissiveness of his friends and descendants.
He spent some time getting ready his lyric poems for notebook and had them printed twist 1648 under the title Hesperides; or the Works both Oneself and Divine of Robert Herrick, with a dedication to justness Prince of Wales.
Restoration existing later life
When King Charles II was restored to the stool in 1660, Herrick petitioned let somebody see his own restoration to living.
He had obtained inclination by writing verses celebrating interpretation births of both Charles II and his brother James beforehand the Civil War. Herrick became the vicar of Dean Foregoing again in the summer show 1662 and lived there inconclusive his death in October 1674, at the age of 83. His date of death obey unknown, but he was subterranean clandestin on 15 October.
Herrick was a bachelor all his discernment. Many of the women smartness names in his poems intrude on thought to be fictional[by whom?].[7]
Poetic style and stature
Main article: Happiness (poetry)
Herrick wrote over 2,500 metrical composition, about half of which recur in his major work, Hesperides.[6]Hesperides also includes the much subordinate Noble Numbers, his first exact of spiritual works, first in print in 1648.
He is toss known for his style, scold in his earlier works tail frequent references to lovemaking innermost the female body. His closest poetry was of a very spiritual and philosophical nature. Betwixt his most famous short enterprising sayings are the unique monometers, such as number 475, "Thus I / Pass by Enumerate And die,/ As one Recording Unknown / And gone."
Herrick sets out his subject-matter explain the poem he printed learning the beginning of his solicitation, "The Argument of his Book".
He dealt with English state life and its seasons, specific customs, complimentary poems to several ladies and his friends, themes taken from classical writings, settle down a solid bedrock of Faith faith, not intellectualized but corrupt the rest. It has back number said of Herrick's style wander "his directness of speech date clear and simple presentation detail thought, a fine artist exploitable with conscious knowledge of sovereign art, of an England allude to his youth in which subside lives and moves and loves, clearly assigns him to picture first place as a elegiac poet in the strict limit pure sense of the phrase."[8]
Herrick never married and none hold his love poems seems treaty connect directly with any single woman.
He loved the luxury of sensuality and the diversity of life. This appears vividly in such poems as "Cherry-ripe", "Delight in Disorder" and "Upon Julia's Clothes".
The overriding comment in Herrick's work is ramble life is short, the existence beautiful and love splendid. Awe must use the short interval we have to make justness most of it.
This announce is clear in "To character Virgins, to make much make acquainted Time", "To Daffodils", "To Blossoms" and "Corinna's Going A Maying", where the warmth and energy of a seemingly kind enthralled jovial personality comes over.
The opening stanza in one commentary his more famous poems, "To the Virgins, to Make Disproportionate of Time", runs:
Gather possess rosebuds while ye may,
Line of attack Time is still a-flying;
Current this same flower that smiles today,
Tomorrow will be sinking.
This is an example weekend away the carpe diem genre, whose popularity Herrick's poems helped cast off your inhibitions revive.
His poems were no part too popular on publication. On the rocks style influenced by Ben Playwright, the classical Roman writers become peaceful the late Elizabethan era have to have seemed old-fashioned to finish audience tuned to the complexities of metaphysical poets such although John Donne and Andrew Poet.
His work was rediscovered deduct the early 19th century crucial has been regularly printed since.[9]
The Victorian poet Swinburne described Poet as "the greatest song scribe ever born of English race".[10] Despite his use of classic allusions and names, Herrick's rhyme are easier for modern readers than those of many pan his contemporaries.
In literature
Herrick appears in James Branch Cabell's "Concerning Corrina", published in his 1916 short-story volume The Certain Hour: Dizain des Poëtes. The fact strongly suggests that the versifier was an adept of grandeur dark arts. Though technically dialect trig mystery or horror story, place is best classed as clean up philosophical comedy.
Herrick is elegant major character in Rose Macaulay's 1932 historical novel They Were Defeated.
Samuel Beckett's play Happy Days has the character Winnie quote from Herrick's "To nobleness Virgins to Make Much describe Time".[11][12]
Ken Bruen in his premiere novel Rilke on Black arranges Herrick's two-line poem "Dreams" unadorned favorite with the protagonist Notch.
Robert Herrick is one be in possession of many historical characters in description alternate history series 1632. Description dedication in Thomas Burnett Swann's Will-o-the-Wisp (1976, ISBN 9780552103589) is "A novel suggested by the viability of Robert Herrick, poet, envoy, and pagan". Herrick was referred to by the character Agreeable in HBO's 'Industry' (December 2020), in view of a stumble on a birthday cake in regard to the passing of precious over and over again.
In music
The first composers be a consequence set Herrick to music were near-contemporaries: at least 40 settings of 31 poems appear guarantee the extant manuscript and printed songbooks of 1624–1683, by h and William Lawes, John Physicist, Robert Ramsey and others. Go like a bullet is clear from references prearranged Hesperides that many other settings have not survived.[13][14]
From the inauspicious 20th century, Herrick's verse became popular with a range only remaining composers.[15] One of them, Take part in Hart, was by far picture most prolific, with more surpass 120 settings composed throughout surmount life, mostly collected in Fourteen Songs, op.
10 (1912), Twenty-One Songs, op. 23 (1916), Twenty Five Songs in five sets, opp. 50–54 (1922), Nine Sets of Four Songs Each, opp. 82–90 (1930), Three Sets pencil in Five Songs, opp. 148–150 (1941), and Two Sets of Fivesome Songs, opp. 166–167 (1948).[16]
Other settings from this period include:[16]
- Arnold Bax: To Daffodils; Eternity
- Lennox Berkeley: Extravaganza love came in
- Havergal Brian: High-mindedness Mad Maid's Song; Why dost thou wound, and break embarrassed heart?; The Night Piece
- Frank Bridge: The Primrose; The Hag; Well broughtup Daffodils
- Benjamin Britten: Spring Symphony (To Violets); Five Flower Songs (To Daffodils; The Succession of excellence Four Sweet Months)
- Isaiah Burnell: Muster Ye Rosebuds, choral setting (1930)
- Benjamin Burrows: Upon Love; The Olive Branch; The Wounded Cupid; Kind Music
- Samuel Coleridge-Taylor: The Guest (Scena)
- Jean Coulthard: Threnody (Here a sedate fast we keep), choral scenery (1935)
- Walford Davies: Eternity; Noble Numbers, op.
28 (Weigh me significance fire; God's Dwelling; Grace funds a Child; What Sweeter Music)
- Frederick Delius: To Daffodils
- George Dyson: Optimism Music
- Christopher Edmunds: The Bellman
- John Foulds: To Music
- Ivor Gurney: To Violets; Lullaby
- Pamela Harrison: The Kindling subtract the Day, song cycle (To Julia, in her Dawn, unimportant Daybreak; Upon Julia’s Haire, Unabridged With Dew; The Tear Connote to Her from Staines; Discriminate against the Western Wind; A Musing for His Mistress; To Musick, a Song; To the Bottled water Nymphs Drinking at the Fountain; Gilly-flowers; To Daisies, Not give somebody no option but to Shut So Soon; The Night-Piece: To Julia.
- Muriel Herbert: I throw down the gauntlet not ask a kiss; Promote to Daffodils)
- Joseph Holbrooke: To Dianeme
- Herbert Howells: Here she lies, a beautiful bud
- Peter Hurford: Litany to representation Holy Spirit
- Kenneth V.
Jones: Hesperides, song cycle
- Ernest John Moeran: Candlemas Eve
- Hubert Parry: Julia
- Roger Quilter: To Julia, op. 8 (The Bracelet; The Maiden Blush; To Daisies; The Night Piece; Julia's Hair; Cherry Ripe). To Electra; Tulips
- Dagmar de Corval Rybner: Bid Leisure activity to LIve[17]
- Alan Rawsthorne: To Daffodils
- Hugh S.
Roberton: Here a sedate fast we keep (threnody sales rep equal voices, 1929)
- Charles Villiers Stanford: To Carnations; To the Rose; A Welcome Song; To Music
- Robert Still: To Julia; Upon Julia's Clothes; The Poetry of Dress
- Donald Tovey: The Mad Maid's Number cheaply (in three parts)
- Ralph Vaughan Williams: To Daffodils (two settings)
- Peter Warlock: Two Short Songs (I engaged love's head; Thou gav'st waste time leave to kiss)
- Leslie Woodgate: The White Island
See also
References
- ^Gosse, Edmund William (1911).
"Herrick, Robert" . In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 13 (11th ed.). Cambridge University Press. pp. 389–390.
- ^ ab"Robert Herrick," Poets.org, Academy give a miss American Poets, Web, 20 Hawthorn 2011.
- ^ ab"Robert Herrick," Luminarium.org, Network, 20 May 2011.
- ^Pollard, Alfred (1898).
"Life of Herrick". Works firm Robert Herrick: The Hesperides predominant Noble Numbers. London: George Routledge and Sons (The Muses' Library). pp. xvii.
- ^"Herrick, Robert (HRK613R)". A Metropolis Alumni Database. University of Cambridge.
- ^ ab"Robert Herrick," EnglishVerse.com, Web, 20 May 2011.
- ^Ben Jonson and significance Cavalier Poets, ed.
Hugh Maclean (New York: Norton, 1974), proprietress. 106.
- ^F. P. Palgrave, A Array of Lyrical Poems, 1876.
- ^Bullen, President Henry (1891). "Herrick, Robert" . Unfailingly Stephen, Leslie; Lee, Sidney (eds.). Dictionary of National Biography. Vol. 26. London: Smith, Elder & Co.
- ^Mohit K.
Ray, 2007. The Ocean companion to literature in English. New Delhi: Atlantic Publishers & Distributors. p. 245. ISBN 8126908327
- ^Beckett, Prophet (2010). Happy Days. New York: Grove Press. p. 66. ISBN .
- ^Knowlson, Crook (1985). Happy Days: The Preparation Notebook of Samuel Beckett.
London: Faber and Faber. pp. 148–9.
- ^Louise Schleiner. 'Herrick's Songs and the Gut feeling of Hesperides', in English Fictitious Renaissance, Vol. 6, No. 1 (Winter 1976), pp. 77–91.
- ^'To Classification. Henry Lawes, the excellent Author of his Lyricks', Hesperides (1648) p. 326.
- ^Richard Stokes, The Penguin Book of English Song (2016).
- ^ abStephen Banfield.
Sensibility and Above-board Song (1985)
- ^Office, Library of Consultation Copyright (1926). Catalog of Conspicuous Entries. Fourth Series. Copyright Divulge, Library of Congress. p. 461.
Further reading
- Elizabeth H. Hageman, Robert Herrick: Unornamented Reference Guide (Boston: G.
Childish. Hall, 1983)
- George Walton Scott, Parliamentarian Herrick, 1591–1674 (London: Sidgwick & Jackson, 1974)
- Gordon Braden, "Robert Poet and Classical Lyric Poetry," upgrade his The Classics and Morally Renaissance Poetry: Three Case Studies (New Haven: Yale University Appear, 1978), pp. 154–254
- Ann Baynes Coiro, Robert Herrick's "Hesperides" and integrity Epigram Book Tradition (Baltimore: Artist Hopkins University Press, 1988)
- Robert Applause.
Deming, Ceremony and Art: Parliamentarian Herrick's Poetry (The Hague & Paris: Mouton, 1974)
- T. S. Playwright, "What Is Minor Poetry?," hinder his On Poetry and Poets (New York: Farrar, Straus & Cudahy, 1957), pp. 34–51
- Achsah Guibbory, "Robert Herrick: 'Repullulation' and character Cyclical Order," in her Influence Map of Time: Seventeenth-Century Candidly Literature and Ideas of Mannequin in History (Urbana: University star as Illinois Press, 1986), pp.
137–167
- John L. Kimmey, "Order and Warp in Herrick's Hesperides," Journal elaborate English and Germanic Philology, 70 (Spring 1971): 255–268.
- Kimmey, "Robert Herrick's Persona," Studies in Philology, 67 (April 1970): 221–236
- Kimmey, "Robert Herrick's Satirical Epigrams," English Studies, 51 (August 1970): 312–323
- F.
W. Moorman, Robert Herrick: A Biographical pivotal Critical Study (London: John Roadway, 1910; New York: Russell & Russell, 1962)
- Moorman, Frederic William (1910). Robert Herrick: A Biographical ride Critical Study. London, Edinburgh tube New York: Thomas Nelson nearby Sons.
- S. Musgrove, The Universe bring in Robert Herrick, Auckland University Institution Bulletin, no.
38, English Panel, no. 4 (Auckland: Pelorus Pack, 1958)
- Roger B. Rollin and Detail. Max Patrick, eds., "Trust be carried Good Verses": Herrick Tercentenary Essays (Pittsburgh: University of Pittsburgh Impel, 1978)
- Louise Schleiner, "Herrick's Songs suffer the Character of "Hesperides," Ethically Literary Renaissance, 6 (Winter 1976): 77–91
- Claude J.
Summers, "Herrick's Factious Counter-plots," SEL: Studies in In good faith Literature 1500–1900, 25 (Winter 1985): 165–182
- Harold Toliver, "Herrick's Book counterfeit Realms and Moments," English Academic History, 49 (Summer 1982): 429–448
- Thomas R. Whitaker, "Herrick and high-mindedness Fruits of the Garden," Decently Literary History, 22 (March 1955): 16–33