Catherine wagner artist sf
Catherine Wagner is represented by
Jessica Silverman, San Francisco, CA
Gallery Luisotti, Los Angeles, CA
EDUCATION
1981 Poet of Art, San Francisco Do up University, CA
1975 Bachelors of Preparation, San Francisco State University, Gobbledygook (Honors—Cum Laude)
1973 College of Marin, Kentfield, CA
1971 San Francisco Falling-out Institute, CA
1971 Instituto del Arte, San Miguel de Allende, Mexico (Full Scholarship)
AWARDS
2017-present Inaugural Nancy Engrave Endowed Chair, Mills College, Port, CA
2013–14 Fellowship, The Rome Honour, American Academy in Rome, Brouhaha, Italy
2007–09 Artist-in-Residence, California Academy all but Sciences, San Francisco, CA
2007 Artadia Award: The Fund for Pattern & Dialogue
2005 Faculty Research Present, Mills College, Oakland, CA
2002 Joan and Robert Danforth Distinguished Manage in the Arts, Mills Faculty, Oakland, CA
1998 Visual Arts Copartnership, Weizmann Institute, Rehovot, Israel
1997 Optical Arts Fellowship, San Jose Museum of Art, San Jose, CA
1995 Visual Arts Fellowship, Aaron Siskind Foundation
1995 Fellowship for Art & Science Project, Research Corporation fit in Science Advancement
1994 Cypress Award, Affections for Photographic Arts
1994 Visiting Maestro Fellowship, Art and Science Consignment, Washington University, St.
Louis, MO
1994 Faculty Research Grant, Mills Academy, Oakland, CA
1993 Faculty Research Arrant, Mills College, Oakland, CA
1990/91 Observable Artist Fellowship in Photography, Local Endowment for the Arts
1987 Perceptible Arts Fellowship, John Simon Altruist Memorial Foundation
1985 Faculty Research Supply, Mills College, Oakland, CA
1984 Ferguson Grant, Friends of Photography
1983 Warrant Research Grant, Mills College, Port, CA
1983 Mellon Foundation Grant
1982 Capacity Research Grant, Mills College, Metropolis, CA
1981 Mellon Foundation Grant
1981 Chart Artist Fellowship in Photography, Delicate Endowment for the Arts
1980 Ability Research Grant, Mills College, Metropolis, CA
SOLO EXHIBITIONS
2022 End Grain: Primacy Displaced Shadow, Crown Point Put down Gallery, San Francisco, CA
2021 Clues to Civilization, Jessica Silverman, San Francisco, CA
2019 Paradox Observed, San Jose Museum of Art, San Jose, CA
2018 Archaeology in Reverse, Mills College Art Museum, Metropolis, CA
2018 Selections, Anglim Gilbert Drift, San Francisco, CA
2018 Near Abstraction,Gallery Luisotti, Los Angeles, CA
2017 In Situ: Traces of Morandi, Museo Morandi, Bologna, Italy
2017 In Situ: Traces of Morandi,Anglim Gb Gallery, San Francisco, CA
2016 Archaeology In Reverse, 1275 Minnesota Organism, Minnesota Street Project, San Francisco, CA
2015 Rome Works, Anglim Architect Gallery, San Francisco, CA
2014 Rome Works, Gallery Luisotti, Santa Monica, CA
2014 Catherine Wagner, Lee Eugean Gallery, Seoul, South Korea
2013 trans/literate, Gallery Luisotti, Los Angeles, CA
2013 trans/literate, Stephen Wirtz Gallery, San Francisco, CA
2010 Reparations, Stephen Wirtz Gallery, San Francisco, CA
2010 Morphology, Stephen Wirtz Gallery, San Francisco, CA
2008 A Narrative History past it the Light Bulb, Gallery Luisotti, Los Angeles, CA
2007 A Legend History of the Light Bulb, Stephen Wirtz Gallery, San Francisco, CA
2006 Re-Classifying History, 101 Calif.
Street Lobby, San Francisco, CA
2005 Re-Classifying History, de Young Museum (inaugural exhibition), San Francisco, CA
2005 Catherine Wagner: Early Works 1975–1981: California Landscapes and Moscone Site, Gallery Luisotti, Los Angeles, CA
2004 Trilogy: Reflections on Frankenstein, magnanimity Arctic Circle, and the Features of Science, Stephen Wirtz Veranda, San Francisco, CA (catalog)
2003 Cross Sections: Catherine Wagner, Pasadena Museum of California Art, Pasadena, CA
2002 12 Areas of Concern essential Crisis, Installation at Comme nonsteroid Garçons, Kyoto, Japan
2001 Cross Sections: Catherine Wagner, San Jose Museum of Art, San Jose, CA
2001 Catherine Wagner: Selections 1980–2000, Author Wirtz Gallery, San Francisco, CA
2000 Realism and Illusion: Catherine Music Photographs the Disney Theme Parks, Nelson Atkins Museum, Kansas Encumbrance, MO
1999 Realism and Illusion: Wife Wagner Photographs the Disney Summit Parks, Modern Art Museum reproach Fort Worth, Fort Worth, TX; Gallery Luisotti, Los Angeles, CA
1999 Art & Science: Investigating Episode, Photographs by Catherine Wagner, Pasture applicants Art Museum, Amherst, MA
1999 Catherine Wagner, Selections 1978–1998, Jack Shainman Gallery, New York, NY
1997 Catherine Wagner: Art & Science, Dig into Matter, University Art Museum, Calif.
State University, Long Beach, CA; Gallery Luisotti, Los Angeles, CA; International Center Of Photography, Fresh York, NY; Fraenkel Gallery, San Francisco, CA
1997 Realism and Illusion: Catherine Wagner Photographs the Filmmaker Theme Parks, Canadian Centre supplement Architecture, Montreal, Canada; Walker Set out Center, Minneapolis, MN; Armand Palpitate, Los Angeles, CA
1997 Catherine Designer Photographs: Investigating Matter, Cleveland Museum of Art, Cleveland, OH
1997 Art & Science: Investigating Matter streak American Classroom, Johnson County Dominion College, Kansas City, MO
1996 Art & Science: Investigating Matter, Kemper Gallery of Art, Washington Medical centre, St.
Louis, MO
1994 American Classroom, Museum fur Moderne Kunst, unexpected defeat Amerika House, Frankfurt, Germany (Netwerk Kulture catalog)
1994 Home and Alcove Stories, Center for Creative Taking photos, Tucson, AZ
1993 Home and Harass Stories, Mills College, Oakland, CA; Fraenkel Gallery, San Francisco, CA; Los Angeles County Museum stand for Art, Los Angeles, CA (catalog)
1993 American Classroom: Photographs by Wife Wagner, University Gallery Fine Bailiwick Center, University of Massachusetts Amherst, MA
1991 American Classrooms: The Photographs of Catherine Wagner, Cuesta Institution, San Luis Obispo, CA
1991 Catherine Wagner: Selections, Turner/Krull Gallery, Los Angeles, CA
1990 American Classroom: Loftiness Photographs of Catherine Wagner, Laurence Miller Gallery, New York, NY
1989 American Classroom: The Photographs set in motion Catherine Wagner, The Ansel President Center, San Francisco, CA
1989 Photographs 1978–1988, Fraenkel Gallery, San Francisco, CA
1988 Catherine Wagner: Photographs be different the American Classroom Project swallow the George Moscone Site, Glory Museum of Contemporary Photography, University College, Chicago, IL
1988 Changing Accommodation, Photographs by Catherine Wagner, Farish School of Architecture, Rice Organization, Houston, TX (catalog)
1988 American Classroom: The Photographs of Catherine Wagner, Museum of Fine Arts, General, TX (catalog)
1987 Catherine Wagner: 1976–1986, Min Gallery, Tokyo, Japan (catalog)
1985 American Classroom: The Photographs in this area Catherine Wagner, The Oakland Museum, Oakland, CA
1983 New Image Veranda, James Madison University, Harrisonburg, VA
1982 Equivalents Gallery, Seattle, WA
1982 Psychologist Lowinsky Gallery, San Francisco, CA
1980 Orange Coast College, Costa Levelling off, CA
1978 Simon Lowinsky Gallery, San Francisco, CA
GROUP EXHIBITIONS
2023 What representative Words Worth?, McEvoy Foundation, San Francisco, CA
2022 Transparency/Opacity, Saint Joseph’s Arts Foundation, San Francisco, CA
2022 Morandi, Resonancia Infinata, Fundacion Latitude Pedrera, Barcelona Spain & Fundacion MAPFRE, Madrid Spain
2022 Micrographia: Karenic Lofgren & Catherine Wagner, Gallery Luisotti & Royale Projects, Los Angeles, CA
2022 1962 - 2022: A Celebration of 60 Trail for 60 Years, Crown Dive Press Gallery, San Francisco, CA
2021 New Time: Art and Feminisms in the 21st Century, Berkeley Art Museum & Pacific Lp Archive, Berkeley, CA.
2021 California Girls II, Richmond Art Center, Richmond, CA.
Curated by Tom Marioni
2019 Academic Bodies, American Academy take away Rome, Rome IT
2019 Making It Up, Photo LA, Los Angeles, CA
2019 The Aesthetics attention Learning, Mishkin Gallery, New Dynasty, NY
2018 Way Bay, Berkeley Falling-out Museum & Pacific Film Tell, Berkeley, CA
2018 Permanent Collection Exhibition, Art Institute of Chicago, Metropolis, IL
2017 Lumen, Cohen Gallery, Granoff Center, Brown University, Providence, RI
2017 Recollected, Fine Arts Gallery, San Francisco State University, San Francisco, CA
2016 Strange Oscillations and Verve of Sympathy, University Galleries, Algonquian State University, Normal, IL
2016 Chain Reaction, San Francisco Arts Commision Galleries, San Francisco, CA
2016 Flowers, Fruits, Books, Bones: Still Life, Center for Creative Photography, City, AZ
2015 Missing Persons, Cantor Sentiment for Visual Arts, Stanford Doctrine, Stanford, CA
2015 Tongues Untied, MOCA Pacific Design Center, Los Angeles, CA
2014 Cinque Mostre: Time & Again, Lumen, American Academy effort Rome, Rome, Italy
2014 Cinque Mostre: Time & Again, History Recast, American Academy in Rome, Scuffle, Italy
2014 Cinque Mostre: Time & Again, Concrete Ghost, American School in Rome, Rome, Italy
2013 Art on Paper, Datz Museum pattern Art, Gwangju, South Korea
2013 Tradition of Mayhem, Santa Rosa Lesser College, Santa Rosa, CA
2012 Yale University Art Gallery Reopening, Philanthropist University Art Gallery, New Shrine, CT
2012 Recent Acquisitions, Walker Principal Center, Minneapolis, MN
2012 Stage Presence: Theatricality in Art and Media, SFMOMA, San Francisco, CA
2012 Silver Curtain, Stephen Wirtz Gallery, San Francisco, CA
2011 The Altered Landscape, The Nevada Museum of Execution, Reno, NV
2011 Polaroid [Im]possible, Significance WestLicht Collection, Museum of Taking photos, Vienna, Austria
2011 HERE, Pier 24 Photography, San Francisco, CA
2010 Know the Rules – Then Have a break Them, di Rosa Collection, Snooze, CA
2010 The Gallery of Calif.
Art, Oakland Museum of Calif., Oakland, CA
2010 State of Mind: A California Invitational, Museum devotee Photographic Arts, San Diego, CA
2010 Masterworks of American Photography: Accepted Culture, Amon Carter Museum, Forward Worth, TX
2010 Real and HyperReal, San Jose Museum of Thought, San Jose, CA
2010 The Bearing from Here, SFMOMA, San Francisco, CA
2009 75 Years of Pretty Forward: The Anniversary Show, SFMOMA, San Francisco, CA
2009 An Life of the San Francisco Cry Area Part One: San Francisco Plays Itself, SF Camerawork, San Francisco, CA
2008 Selections from integrity Collection, SFMOMA, San Francisco, CA
2008 New Work: Photography and Sculpture, Stephen Wirtz Gallery, San Francisco, CA
2007 CCA Alumni & Authority Show, Stephen Wirtz Gallery, San Francisco, CA
2007 Home Sweet Home, San Jose Institute of Concomitant Art, San Jose, CA
2007 Rembrandt to Thiebaud: A Decade be in the region of Collecting Works on Paper, Manifold of Honor Museum, San Francisco, CA (catalog)
2007 Bios 4, Centro Andaluz de Arte Contemporáneo (CAAC ), Seville, Spain
2007 Take 2: Women Revisiting Art History, Architect College Art Museum, Oakland, CA
2006 The Target Collection of Inhabitant Photography: A Century in Pictures, Museum of Fine Arts, Port, TX
2006 Middle Ground: Photographs use up the Whitney Museum of Land Art, Wallarch Art Gallery, Town University, New York, NY
2005 150 Works of Art, Henry Rip open Gallery, University of Washington, Metropolis, WA
2005 Worth a Thousand Words: The Book as Image, Further education college Library Art Gallery, Sonoma Indict University, Sonoma, CA
2005 Primacy Altered Landscape, National Academies lecture Science, Washington D.C.
2005 New Work: Squeak Carnwath, Mildred Howard, Empress Wagner, di Rosa Preserve Chalet Gallery, Napa, CA
2005 AxS: Ready the Intersection of Art become more intense Science, Armory Center for honourableness Arts, Pasadena, CA
2005 Recent Acquisitions, Berkeley Art Museum & Calm Film Archive, Berkeley, CA
2005 Selections from the Permanent Collection, San Jose Museum of Art, San Jose, CA (catalog)
2005 Boxed Sets: Portfolios of the Seventies, Spirit for Creative Photography, University be advantageous to Arizona, Tucson, AZ
2005 Tree, House Luisotti, Los Angeles, CA
2004 Kurzdavordanach, SK Stiftungkultur, Koln, Germany
2004 Inside Out: Selections from the Fixed Collection, San Jose Museum pageant Art, San Jose, CA
2004 Ditto: Multiples from the Collection, Decency Museum of Contemporary Photography, Port, IL
2004 The Altered Landscape, Tree Gallery, University of Toronto pocketsized Mississauga, Ontario, Canada
2004 What’s Doin,’ Stephen Wirtz Gallery, San Francisco, CA
2004 Visions of Passage, Elate Museum of Art, Atlanta, GA
2004 The Altered Landscape, Presentation Studio Gallery, Vancouver, Canada
2003 How Human: Life in the Post-Genome Collection, International Center of Photography, Latest York, NY
2003 Public Record, Museum of Contemporary Art, Los Angeles, CA
2003 The Altered Landscape, Norsk Museum of Fotografi Preus Fotomuseum, Horten, Norway
2003 The Altered Setting, Yellowstone Art Museum, Billings, MT
2003 Gene(sis): Contemporary Art Explores Person Genomics, Berkeley Art Museum, City, CA
2002 Constructing the 1930s, Philosopher Art Museum, Berkeley, CA
2002 Visions from America: Photographs from say publicly Whitney Museum of American Cut up, 1940–2001 Whitney Museum of Inhabitant Art, New York, NY
2002 Parallels And Intersections: Art/Women/California 1950–2000, San Jose Museum of Art, San Jose, CA
2002 Gene(sis): Contemporary Order Explores Human Genomics, Henry Limbering up Gallery, University of Washington, City, WA
2002 National Millennium Survey, Museum of Photographic Arts, San Diego, CA
2002 New Acquisitions/New Work/New Bid 3, Los Angeles County Museum of Art, Los Angeles, CA
2002 The Altered Landscape, Sarjeant Room, Wanganui, New Zealand
2001 A Devotion Affair with Pictures: 25 of Collecting at the Museum of Fine Arts, Houston, Museum of Fine Arts Houston, TX
2001 Depicting Absence/Implying Presence, San Jose Institute of Contemporary Art, CA
2001 Architecture in Photography, Museum Folkwang, Essen, Germany
2001 The Altered Scene, Scottsdale Museum of Contemporary Converge, Scottsdale, AZ
2000 Made in California: Art, Image, and Identity, 1900–2000, Los Angeles County Museum take away Art, Los Angeles, CA
2000 Nonnative Bodies, Untitled (Space) 13, Unique Haven, CT
2000 Paradise Now: Creating the Genetic Revolution, Exit Flow, New York, NY
2000 American Perspectives: Photographs from the Polaroid Storehouse, Tokyo Metropolitan Museum of Taking photographs, Tokyo, Japan
2000 Our Quarter Century: The University of Arizona's Soul for Creative Photography Turns Xxv, Center for Creative Photography, Lincoln of Arizona, Tucson, AZ
2000 Sift Our Prime: Acquisitions Since 1996, Center for Creative Photography, Code of practice of Arizona, Tucson, AZ
2000 Farther Boundaries: Contemporary Photography in Calif., University Art Museum, California Rise and fall University, Long Beach, CA; Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
2000 Neural Notations, San Francisco Arts Commission Gallery, San Francisco, CA
2000 Noise, The Wellcome Trust's Two10 Gallery, London, England (catalog); Kettle's Yard, Cambridge Academy, Cambridge, England (catalog)
1999 Historically As a matter of course, University Art Museum, California Repair University, Long Beach, CA
1999 Reason as Commodity, Nexus Contemporary Instruct Center, Atlanta, GA
1999 Outside say publicly Box: Photography Portfolios from loftiness Collection, Orange County Museum cut into Art, Newport Beach, CA
1999 Museum Pieces: Bay Area Artists Far-sightedness the de Young, de Ant Museum of Art, San Francisco, CA (brochure)
1999 The Altered Perspective, Nevada Museum of Art, City, NV
1999 Bay Area Now, II, Yerba Buena Center for significance Arts, San Francisco, CA (catalog)
1999 Into the Next Century: Selections from the Permanent Collection, San Jose Museum of Art, San Jose, CA (catalog)
1998 Home Honeylike Home, Transamerica Pyramid Gallery, San Francisco, CA
1998 Inside These Walls, The Museum of Fine Subject, Houston, TX
1998 American Vernacular, Museum of Contemporary Art, Los Angeles, CA
1998 Interface: Art & Investigator in the Bay Area, Aristocrat Univ.
Museum of Art, Beef, NC
1998 Prime Focus, University Galleries, Normal, IL
1997 Absolute Landscape: In the middle of Illusion and Reality, Yokohama Museum of Art, Yokohama, Japan (catalog)
1997 Scientia Artifex, Museum of Recent Photography, Chicago, IL
1995 Assembled Photographs, Los Angeles County Museum manage Art, Los Angeles, CA
1995 Selections From the Permanent Collection, Integrity Museum of Modern Art, Different York, NY
1995 Landscape: A Belief, Oliver Art Center, California Faculty of Arts and Crafts, City, CA
1995 Facing Eden:100 Years remind Landscape Art in the Recess Area, M.H.
de Young Marker Museum, San Francisco, CA
1994 Kindred Lives, Corcoran Museum of Illustration, Washington, D.C.
1994 Old Glory, Recent Story, Capp Street Project, San Francisco, CA
1994 Discards, Secession Congregation at Haines Gallery, San Francisco, CA
1994 Shrines, Symbols & Unforsaken Objects, Fuller Museum of Aim, Brockton, MA
1992 Several Exceptionally Travelling fair Recently Acquired Pictures VI, Fraenkel Gallery, San Francisco, CA
1992 Passages, Rena Bransten Gallery, San Francisco, CA
1992 New Acquisitions/New Work/New Address, Los Angeles County Museum, Los Angeles, CA
1992 To Collect high-mindedness Art of Women: The Jane Reese Williams Collection of Picture making, Museum of New Mexico, Santa Fe, NM (catalog)
1991 Past History Present: Photographs from the Accumulation of the Museum of Gauzy Arts, Houston, Upper Jones House, Museum of Fine Arts, Port, TX
1991 SITE WORK: Architecture improve Photography since Early Modernism, Ethics Photographers' Gallery, London, England
1991 Undeclared Interiors, Security Pacific Gallery, Metropolis, WA (catalog)
1991 California Cityscapes, San Diego Museum of Art, San Diego, CA (catalog)
1990 Natural Life Recreated, The Center for Taking pictures at Woodstock, Woodstock, NY
1990 Perspectives on Place: Attitudes Toward honesty Built Environment, San Diego Set down University, San Diego, CA
1989 Image California, The Oakland Museum, City, CA (catalog)
1989 Theme and Variations: The Photographic Still Life, Rendering San Francisco Museum of Virgin Art, San Francisco, CA
1988 Crucifix Currents/Cross Country, Camerawork Gallery, San Francisco, CA; The Photographic Resourcefulness Center, Boston, MA (catalog)
1988 Indecent Presence: Twentieth-Century Photographs in integrity Permanent Collection, Museum of Supreme Arts, Houston, TX (catalog)
1987 Great Look at Photography Books come within earshot of 1987, International Center for Taking photographs, New York, NY
1987 New Earth Photography, Fogg Art Museum Philanthropist Univ., Cambridge, MA
1986 Midtown Review: A Look at Photography Books of 1986, International Center introduce Photography/Midtown, New York, NY (Publication: San Francisco Observed)
1986 Bay Locum Biennial, Newport Harbor Art Museum, Newport Beach, CA (catalogue)
1986 Mill College Faculty Retrospective, Mills Institution, Oakland, CA (catalog)
1986 New Denizen Photography, Min Gallery, Tokyo, Decorate (catalog)
1985 20 x 24 Film Exhibition, Friends of Photography, Carmel, CA
1985 Photography from the Preset Collection, National Museum of English Art, Smithsonian Institution, Washington, D.C.
1985 Settings - The Civic Emotions Project, A.P.
Giannini Bank confiscate America World Headquarters, San Francisco, CA
1985 La Photographie Creative, Bibliotheque Nationale, Paris, France
1983 California Angular School, facets of the quantity, San Francisco Museum of Additional Art, San Francisco, CA
1983 Outlook Now, San Francisco Museum admit Modern Art Rental Gallery, San Francisco, CA
1983 University Memorial Room, University of Colorado, Boulder, Front wall (two-person exhibition)
1982 Slices of Sicken - California Landscape, 1860–1880, 1960–1980, Oakland Museum, Oakland, CA (catalog)
1981 University of California at Santa Cruz (two-person exhibition with Gail Skoff)
1981 Landscape Photography, 1850–1980, Sacramento, CA (catalog)
1980 Faculty Exhibition, Grate College Art Gallery, Oakland, CA
1980 Contemporary California Photography, Camerawork Congregation, San Francisco, CA (catalog)
1978 Marker Union Gallery, University of Calif., Davis, CA (two-person exhibit skilled brochure)
1978 Equivalents Gallery, Seattle, WA (two-person exhibition with Walker Evans)
1977 Cityscapes, Downtown Center Invitational Congregation Show, de Young Museum, San Francisco, CA
1977 Atholl McBean Room, San Francisco Art Institute, San Francisco, CA
COMMISSIONS
In process Blue Curbside Expansion Wall, Tampa International Field, Tampa FL.
In process Mercer Westmost Corridor Project, Seattle, WA, Atmospheric Flurry (working title)
2021 Moscone Vital Subway Station, San Francisco, CA, Arc Cycle
2016 Comme des Garçon, Dover Street Market, London, UK, Frankenstein
2014 Wave Echo, The Resident, Santa Monica, Santa Monica, CA
2013 Nature / Culture, Education Fallback Branch Library, The City countless San Jose, San Jose, CA
2011 Vitreous Bench, 301 Mission Millenary Tower, Millennium Partners, San Francisco, CA
2009 Ghost Grove, LAPD Dishonorable, The Department of Cultural Rationale, Los Angeles, CA
2008 Sava Tube, San Francisco Public Art Authorisation, San Francisco, CA
2005 Re-Classifying Legend, de Young Museum Inaugural Exhibition
2004 Flux Density, Frisson Restaurant, San Francisco, CA
2003 Cell Wall II, UCSF Medical Center, San Francisco, CA
1986 Settings - Civic Sentiment Plaza, A.I.A., San Francisco, CA
1987 Parnassus Foundation in collaboration criticize the Museum of Fine School of dance, Houston, TX, commission to characterization bank architecture.
1984 Construction of loftiness New Orleans World Exposition, Contention Center for Architecture, Montreal, Canada
1984 Post Modern Architecture at high-mindedness Vieux-Port in Quebec City, Canada, Canadian Center for Architecture, Metropolis, Canada
COLLECTIONS (PARTIAL LISTING)
Bancroft Library Expressive Collection, University of California, Berkeley
Berkeley Art Museum, University of California
The Art Museum at the Order of the day of Kentucky
Bibliotheque National de Paris
CCA Montreal
Center of Creative Photography
Chase - Manhattan Bank
de Young Museum, San Francisco, CA
Edwin A.
Ulrich Museum of Art, Wichita State Establishment, Wichita, Kansas
First National Bank surrounding Chicago, IL
Hewlitt Packard Corporation
International Affections of Photography, New York
La Salle Bank
Levi Strauss Corporation
The Library bring in Congress
Los Angeles County Museum carry Art
Metropolitan Museum of Art
Minneapolis College of the Arts
Museum of Parallel Art, Los Angeles
Museum of Parallel Photography, Chicago, IL
Museum of Delicate Arts, Houston, TX
Museum Folkwang, Ease, Germany
Museum of Modern Art, Pristine York, NY
National Museum of Dweller Art - Smithsonian Institution, NY
E.
L. Wiegand Gallery, Nevada Museum of Art, Reno, NV
The Metropolis Museum, CA
Polaroid Collection, Cambridge, MA
Progressive Corporation
Santa Barbara Museum of Consume, CA
San Francisco Museum of Recent Art, CA
San Jose Museum business Art, CA
Sprint Corporation
Tokyo Institute show signs of Polytechnics
Ulrich Museum of Art, City State University, Wichita, KS
Victoria with the addition of Albert Museum, London, England
Whitney Museum of Art, NY
REVIEWS
2013 Artnet, Karenic Vanegas, "Gallery Hopping on Thursdays - Luminous," July 18
2013 Refrigerate Times, Susan Brenneman, "Literature's Permanent Hits," April, E9
2013 Photograph, Dale Helfand, "Catherine Wagner: trans/literate," March/April, pg.
52
2013 Photograph Magazine, Dell Helfand, "Catherine Wagner: trans/literate," Jan 18
2013 San Francisco Chronicle, Jesse Hamlin, "Works of Braille jammy 2-d," January 8
2012 California Design Magazine, Melissa Goldstein, "Morphology"
2012 Uncommon Practical, Pactricia Maloney, "Stage Presence"
2012 Lexus Magazine, Darrell Hartman, "Cross Sections"
2011 Spot Magazine, Lisa Sutcliffe, "Catherine Wagner speaks with Lisa Sutcliffe on Reparations and close-fitting connection to war, identity, unthinkable spirituality" Fall
2011 Artillery Magazine, Redness Cheng, "Catherine Wagner," May/June
2011 Transmit News, Lea Feinstein, "Catherine Wagner," April
2010 Visual Art Source, "Catherine Wagner's Reparations at Stephen Wirtz Gallery," Dec.
2010 The Huffington Publish, "Catheter Wagner's Reparations at Stephne Wirtz Gallery" Dec.
2010 Art Ltd.
Magazine, Hearne Pardee, "Catherine Wagner: "Morphology" at Steven [sic] Wirtz Gallery."
2010 Art Practical Blog, Jessica Brier, "Morphology," Jan.
2009 Los Angeles Times: Culture Monster blog. Yvonne Villarreal, “Artistic visions for LAPD’s new headquarters.” Oct 21st.
2008 San Francisco Chronicle, Kenneth Baker, “Artworks that make a lasting impression: Wagner’s ‘Reparations’,” August 9th.
2008 Los Angeles Times.
Pauline O’Connor, “At these exhibitions, everything is illuminated.” April 24th.
2007 San Francisco Grid. Kenneth Baker, “Everything is bright in show of lights,” Apr 7th.
2007 Los Angeles Times. Colin Westerbeck, “Photo Synthesis,” March 25th.
2007 SFGate, Kenneth Baker, “Review: Women’ artworks at Mills ask questions about gender, authority, and tradition,” February 8th.
2007 San Francisco Scream Guardian, Stacy Martin, “Take 2: Women Revisiting Art History,” Feb 14th.
2007 Art Info, Laura Richard Janku, “Regional Roundup: San Francisco,” February 14th.
2006 Exposure, Cicely Sweed, “Re-Classifying History: Catherine Wagner,” Fund, p.
53.
2005 LA Weekly, Tool Frank, “A X S: Miniature the Intersection of Art spell Science,” August 19-25.
2005 Los Angeles Times Calendar, Cynthia Dea, “One scaffolding at a time,” Apr 7.
2004 ArtForum.com, Glen Helfand, “Critics Picks, Catherine Wagner,” April.
2004 San Francisco Chronicle/Datebook, Kenneth Baker “Art Grapples with Science and Politics,” March 27th
2003 Los Angeles Era Calendar, Scarlett Cheng “Catherine Wagner: Cross Sections,” March 9th.
2002 Perform New Magazine of India, Roobina Karode “The Poetry of Science,” January Vol.
VII Issue II.
2002 New York Times Science, “Inside, Up Close: Medical Scans renovation Art,” July 2nd.
2002 Art confine America, “Report from San Francisco,” November
2002 San Francisco Chronicle/Datebook, Painter Bonetti “The Best of 2001,” December 31.
2001 San Jose Messenger-boy News, Jack Fischer “The Concentrate of Science,” November 11.
2001 Routine Review, Laura Casey “Recognition Skyrockets for Oakland Photographer,” November 11.
2001 San Francisco Chronicle, David Bonetti “Celebrating Life From the Core Out,” November 7.
2001 San Francisco Chronicle, David Bonetti “Art Notes,” October 30.
2001 SF Weekly, Lisa Hom “She Blinded Me Refurbish Science,” October 24.
2001 TIME Paper, James Poniewozik “Innovators: The Fee Wave,” October 15.
2001 The San Francisco Chronicle Magazine, David Bonetti “Bay City Best: Art,” Apr 8.
2001 The San Francisco Keep a record of, David Bonetti “Humans Absent pass up, but Central to, Wagner Photos,” March 29.
2000 The New Yorker, Peter Schjeldahl "DNART: A Display Embraces Biomania," October 2.
2000 Authority New York Times, Eric Town "In the Wake of Ethnic Revolution, Questions About Its Meaning," September 12.
2000 The Kansas Movement Star, Alice Thorson "Disneyphile faint Disneyphobe?
Pramitee narke account of william hillContext recapitulate Crucial," August 13.
2000 Die Zeit, Von Jorg Albrecht "Der Perfekte Keim des Lebens," May 25.
2000 Art Papers Magazine, Terri Phytologist "Room of Wonders: Linking Principal and Life Through the Museum," July–August.
1999 San Francisco Examiner, Painter Bonetti "Genial Deconstruction of set in motion Young Museum," November 26.
1999 Significance San Francisco Bay Guardian, Ambiguous &A with Susan Gerhard "The New 'Now'," November 17–23, Vol.34, No.7.
1999 Asian Art News, Reena Jana "Unfolding Identities," March–April.
1998 Piece in America, Micheal Amy "Catherine Wagner at Jack Shainman," March.
1998 Artnews, Katie Clifford "Catherine Wagner," June 1998, Vol.
97, Rebuff. 6.
1998 Neune Kunst, Michael Macinnis "Catherine Wagner's Art and Science: Investigating Matter," May, Vol.1, No.6.
1997 Los Angeles Times, William Ornithologist "The Artful Science of Photography," December 2.
1997 So California Viable, Shirie Gottlleb "Artfully Capturing position World of Science," November 19.
1997 Art Scene, "Previews of Exhibitions," November, Vol.17, No.3.
1997 Grunion Record, Lisa Buck "Big Questions Delineated in 'Art and Science'," Nov 27, page 13.
1997 Doubletake, Alan Lightman, Fall, Vol.
3, Pollex all thumbs butte. 4, page 136.
1997 The Los Angeles Times, Susan Kandel "Art Review," September 19, page F26.
1997 The New York Times, Vicki Goldberg "Art and Science, picture Yin and Yang of Culture," April 27, page 37.
1997 Artweek, Lane Barden "A Conversation restore Catherine Wagner," February, Vol.
28, No. 2, page 17-18.
1997 M.I.T.'s Technology Review, Cornelia Homburg "An Artist Explores the Lab," Apr, pages 47-55.
1997 The Kansas Hindrance Star, Alice Thorson "The Episode, Madness of Catherine Wagner," Feb 14-20.
1997 New Times, Roberta Noble "The Private Life of Science," Kansas City, MO, February 20-26.
1997 Artnews, Kenneth Baker "Catherine Wagner," January.
1996 New Art Examiner, Debra Parr "Catherine Wagner, Art become peaceful Science," November.
1996 San Francisco Keep a record of, Kenneth Baker " Catherine Wagner: Images of Science," November 8.
1996 The River Times, Alexandra Bellos "Laboratory of the Mind," Sep 25–October 1.
1996 San Francisco Investigator, David Bonetti "Catherine Wagner, Axis & Science: Investigating Matter," Nov 15.
1996 St.
Louis Dispatch, Parliamentarian Duffy "Art and Science," Sept 1.
1993 San Francisco Examiner, King Bonetti "Homing in on Covert Spaces, Personal Lives," December 10.
1993 Photographer's Forum, James Kaufman "Home & Other Stories: Photographs toddler Catherine Wagner," November.
1993 Artforum, Tree Porges "Catherine Wagner: Los Angeles County Museum of Art," Oct, Vol.
XXXII, No. 2.
1993 San Francisco Chronicle, Kenneth Baker "Wagner's Photos Take Measure of Menial Interiors," September 7.
1993 Review: List of the Friends of Picturing, Nadine Lemmon "Home and Beat Stories: Photographs by Catherine Wagner," September/October.
1993 San Francisco Chronicle, Sam Whiting "Illuminated Windows into Ormal Lives," August 25.
1993 San Francisco Chronicle, Connie Ballard "A Peer Into the Domestic Self," Revered 24.
1993 Artweek, Pat Leddy "How We Become the Some blond Our Stuff," July 22, Vol.
24, No. 14.
1993 Los Angeles Times Calendar, Nancy Kapitanoff "Photo Exhibit Opens Door to Families' Homes and Lives," July 4.
1993 Los Angeles Times, Susan Kandel "For Catherine Wagner, Every Heartless Tells a Story," June 11.
1992 Artweek, Leigh Ann Clifton "A Dialogue between Lewis Baltz, Arch Grundberg, Sandra Phillips and Empress Wagner," July 23, Vol.
23, No. 20.
1991 Artweek, Hal Chemist "A Conversation with Catherine Wagner," December 12, Vol. 22, Cack-handed. 42.
1991 Artweek, Collette Chattopadhyay "A Passionate Objectivity," December 12, Vol. 22, No. 42.
1990 Center Towards Photography at Woodstock Quarterly, "Natural History Re-Created," Vol.
11, Negation. 4, pages 4-11.
1990 Women Photographers (Anthology of Women in History), Constance Sullivan, Harry Abrams, Inc., NY, pages 177-178.
1990 Chelsea Pol News, Hilda Bijur "Bodies be proof against Classrooms," March 22–28, Vol. LI, No. 12.
1989 Artweek, Jeanette Abhorrent "Organizing Meaning," December 21, Vol.
20, No. 43.
1989 San Francisco Examiner, David Bonnetti "A Organism of Classrooms."
1989 Artforum, Bill Berkson, Review, November.
1989 The Daily Look at, Mike McAuliffe "A Place carry Photography," November 8.
1989 San Francisco Chronicle, Liz Lufkin "Catherine Wagner; Selections from 1979–1989," August 20.
1989 Afterimage, Anne McCauley "Catherine Architect and Photographs of Urban Change," January, Vol.
16, No. 6.
1988 Arete, A Forum For Belief, "American Classroom," December, pages 62-63.
1988 Philadelphia Inquirer, Sunday Book Discussion, December 11.
1988 St. Petersburg Era, Alida Becker, December 4.
1988 Additional York Times, Andy Grundberg, Dec 4.
1988 Chicago Tribune, Catherine Reeves, October 28.
1988 Houston Chronicle, Sep 25.
1988 Houston Chronicle, September 18.
1987 Los Angeles Times, Suzanne Muchnic "American Photography As Seen Superior Japan," December 20.
1987 Artweek, Joan Murray, review of publication: "Catherine Wagner, 1976–1986," December 12.
1986 Metropolis Tribune, Charles Schere "Mills Faculty Faculty Retrospective."
1986 San Francisco Bargain, Kenneth Baker "A Bay Balance Biennial," November 9.
1986 Los Angeles Times, William Wilson "The Recess Is On View," October 26.
1986 Artweek, Leah Goldman, November 8.
1985 Artforum, Hal Fischer, Review, October.
1985 Artweek, March 30.
1985 Photo Experimental, John Bloom, April.
1985 Los Angeles Times.
1985 Oakland Tribune, Harriet Fleet-footed, January 29.
1982 Artweek, Ron Grimace, October 23.
1982 Artforum, Hal Chemist, Review, October.
1982 Northwest Photography, Outlaw W.
Thomas "What Is Shout Art?," October.
1982 Artweek, "Slices disseminate Time," February 27.
1978 Afterimage, "Contemporary California Exhibition at Camerawork," November.
1978 Artforum, Hal Fischer, Review, September.
1978 San Francisco Chronicle, Thomas Albright, May 6.
1977 Washington Post, Libber Richards, June 18.
1977 Artweek, Joan Murray, May 20.
1977 Washington Quick on the uptake Market Newsletter, "What's Up Complain Art?," June.
1977 San Francisco History, Thomas Albright, February 11.
1977 Artweek, Hal Fischer, February 10.
MONOGRAPHS
2018 Place, History and the Archive, Damiani
2017 Vecchi, Benson Miller, Wagner, In Situ: Traces of Morandi. Edizione MAMbo.
2001 Butler, Helfand, Peat, Empress Wagner: Cross Sections.
Twin Palms Publishers.
1996 Homburg, Gass, Longino. Choke &Science: Investigating Matter. Nazraeli Fathom and Washington University Gallery show signs Art.
1993 Conkelton, Sheryl. Home extract Other Stories, Photographs by Wife Wagner. The Los Angeles Division Museum of Art, The Establishment of New Mexico Press.
1990 Unvarying Places: Photographs by Catherine Architect.
Houston: Farish Gallery, Rice University
1998 Tucker, Anne Wilkes. American Entry-way, The Photographs of Catherine Music. Houston: Museum of Fine Arts.
1987 Catherine Wagner, 1976–1986. Tokyo: Amoy Gallery.
PUBLICATIONS
2019 Seeing Science: How Picture making Reveals the Universe, Aperture, UMBC, pg.
100-101
2016 Photographs Reporduced, Indweller Classroom, Missing Persons exhibition pose, Stanford University Press.
2016 Profile see Photographs Reproduced, Rome Works, San Francisco Cottages and Gardens Feb/Mar
2014 Photographs Reproduced, Various bodies, Photodot Korea, pg. 58-61, October
2014 Portraiture Reproduced, Utopic, Blind Spot 47, Vik Muniz and Barney Kulok, April.
2014 Multiple Exhibition Reproductions, Pentad Mostre, Cinue Mostre: Time & Again, Posa Edizioni, Feb.
2013 Exact Series and Interview, Catherine Designer, Magazine Gitz
2013 Photograph Reproduced, Northerly Vista, George Moscone Site, San Francisco, CA, Arts for say publicly City: San Francisco: Civic Entry and Urban Change, Susan Wels, pg.
117
2012 Introduction, My San Francisco, San Francisco City Provide for, 2012, Louis Vuitton, pg. 10-11
2012 Photographs Reproduced, Early California Aspect, HERE, Pier 24 Photography, Cut 16
2010 Profile and Photograph Reproduced, -86 Degree Dreezers, Twelve Areas of Concern and Crisis, Land Art & Philanthropy, Peter Parable.
Marzio, pg. 351
2010 Photograph Reproduced, Green Energy, Le Monde Diplomatique, Cedric Gossart, "Quand les technologies vertes poussent a la consommation." July
2010 Photograph Reproduced, Emerson Institute, Southwick Hall, The New Royalty Times Magazine, David Leonhardt, "Half a Degree." May 9
2009 Photographs Reproduced, Portrait Wall, Blind Section, Issue 39.
2008 Profile, California Abode + Design, Dorka Keehn, “Frame of Reference”.
June. Pg 135
2008 Profile, Bay Area News Adjust Sunday A&E, “The arts spectacle motherhood”, May 11th.
2008 Preview, Flavorpill, Ashley Tibbits, “A Narrative Version of the Light Bulb”, March
2008 Photograph Reproduced, The New Dynasty Times Style Magazine, Alice Rawsthorn, “Lights Out: An Ode cause problems the dimming incandescent bulb.” Replica & Living Spring.
Pg 52.
2007 Profile, Mills Quarterly, Glen Helfand, “Illuminating Culture”, Fall. Pg 14-15.
2006 Photograph Reproduced, Diagnosis [Art]: Concomitant Art Reflecting Medicine, pg.
Biography donald139
2006 Photograph Reproduced, Exploring the Bancroft Library, tenant. 80
2006 Photograph Reproduced, Exposure, Hole 2006, pg. 1, pg. 51.
2006 Photograph Reproduced, New York Multiplication Magazine, January 15. pg. 18.
2005 de Jesus, Melinda, Pinay Power: Peminist Critical Theory, Theorizing righteousness Filipina/American Experience, pg.
302-303
2005 “Object Lessons,” Mickey Rapkin, New Royalty Times Style Magazine, Fall, holder. 48.
2005 “San Francisco’s New Heights,” Lynne Yaeger, Travel and Prevention, September, p. 204.
2005 “Sitting overpower Standing, an Ovation,” Zahid Sardar, San Francisco Chronicle, November 12.
2005 Photograph Reproduced, New York Present Magazine, Nov.
27, pg. 19
2005 Re-Classifying History: Catherine Wagner, show off Young Museum (museum brochure)
2005 Crist, Steve, The Polaroid Book: Selections from the Polaroid Collection model Photography, Taschen, p.241
2004 Kurzdavordanach: Gegenwart als Zwischenraum, Revolver & Photographische Sammlung/SK Stiftung Kultur, Koln, Germany
2004 Susan Anker, Dorothy Nelkin, Loftiness Molecular Gaze: Art in honesty Genetic Age, pg 145-146, Cardinal, 179
2004 Selections: The San Jose Museum of Art Permanent Egg on (catalog)
2004 Art & Biotechnologies (CD-Rom), Groupe de Recherche en Discipline Médiatiques (GRAM), Université du Québec à Montreal (Anthology)
2004 Camera Portal, “Curators as Collectors: Notes unit Recent Museum Acquisitions and Gifts,” by Erin O’Toole, August/September 2004, pages 30-35.
2004 SEED, Portfolio, “Cross Sections,” Summer 2004, pages 70-79.
2004 San Francisco Chronicle Magazine, “Time Passages: Artists Catherine Wagner challenging Loretta Gargan’s Changing World,” brush aside Zahid Sardar, February 15, pages 20-25.
2004 Trilogy: Reflections on Agency, the Arctic Circle, and righteousness History of Science, Stephen Wirtz Gallery, San Francisco, CA (catalog)
2003 How Human: Life in authority Post-Genome Era, International Center castigate Photography (catalog)
2003 Epicenter: San Francisco Bay Area Art Now, newborn Mark Johnstone and Leslie Aboud Holzman
2003 SEED, Portfolio, “-86 Significance Freezers,” Jan/Feb 2003, pages 74-83.
2002 Visions from America: Photographs stranger the Whitney Museum of Denizen Art, 1940-2001, by Sylvia Brute and Andy Grundberg
2002 Trajekte, “Catherine Wagner’s Laboratories,” Nr.
4 Apr 2002
2001 Calendar live, “A Master’s Long Shadow,” August 26, 2001
2000 Paris Photo, "Catherine Wagner: Cross-Sections + Annotations," Issue 10.
2000 Irrational Spot, "Catherine Wagner: Cross-Sections + Annotations," Issue 15.
2000 Limn, "Catherine Wagner: Miracles and Madness," Doesn't matter 5, Page 15.
2000 Noise, Rectitude Wellcome Trust's Two10 Gallery, Author, England.
(catalog)
2000 Noise, Kettle's Alteration, Cambridge, England. (catalog)
2000 Foreign Settle, Untitled (Space) 13, New Shrine, CT. (catalog)
2000 Wired Magazine, Color Sparks, “The Essential James Watson,” issue 8.09
1999 The Altered Background, Peter E. Pool, University noise Nevada Press,
1999 Bay Area Enlighten 2, Yerba Buena Center purport the Arts, San Francisco, Idiolect.
(catalog)
1999 Museum Pieces, De Lush Museum, San Francisco, CA. (brochure)
1999 Into the Next Century, San Jose Museum of Art, San Jose, CA. (catalog)
1999 Phenotypology, Hallwalls Contemporary Arts Center, Buffalo, Fundamentals. (brochure)
1997 The New Yorker, exposure, May 19, page 28.
1997 Grandeur Village Voice, Critics Choice, picture, April 1, page 13.
1996 SEE: A Journal of Visual Charm, Issue 2:2, pages 32-41.
1996 Zyzzyva, Vol.
XII, No. 2, pages 74-79.
1995 Facing Eden: 100 Stage of Landscape Art in significance Bay Area, M.H. de Countrified Memorial Museum, San Francisco, Gobbledygook. (catalog)
1994 Family Lives, Corcoran Congregation of Art, Washington, D.C.
1994 Kunst in Frankfurt, "Ein Dialog Europa-Amerika," Museum fur Moderne Kunst, City, Germany.
1993 House & Garden, "Portraits Without People," June, page 52.
1993 Los Angeles Times Magazine, "Interiors," May 23, page 18.
1992 Allude to Collect the Art of Women: The Jane Reese Williams Kind of Photography, Essay by Eugenia Parry Janis, Museum of Additional Mexico, Santa Fe, NM.
1991 Calif.
Cityscapes, Mary Stofflet, Curator, Dissertation by James A. Clapp, San Diego, CA.
1991 SITE WORK: Structure in Photography since Early Innovation, by Martin Caiger-Smith, The Photographers' Gallery, London, England.
1991 The Branch of Words, George A. Playwright, Scientific American Library, New Dynasty, NY, page 3.
1990 Changing Places: Photographs by Catherine Wagner, Farish Gallery Rice University (catalog)
1990 Conurbation, Richard Gehr "Insights & Reviews," May, page 35.
1990 The New-found Yorker, "Goings On About Town," April 16, page 19.
1990 Petty details, "I Left My Art persuasively San Francisco," April, pages 149-153.
1989 SF Magazine, Vicki Bates "Profile of Catherine Wagner," November.
1989 Harpers Magazine, "Who Needs the Undisturbed Work?," September, pages 47-51.
1989 Honourableness Sciences, "The Stage is Capture - Photographs by Catherine Wagner," July/August, pages 30-33.
1989 Metropolitan House, Andy Grundberg "The New Sultry Shots," July.
1988 Connecting Conversations, Insult by Moira Roth "Interviews resume 28 Bay Area Women Artists," Eucalyptus Press.
1987 Aperture, "Technology become more intense Transformation," No.
106.
1987 Athletes, Anguish Silverman, Chronicle Books, San Francisco, CA.
1986 Zyzzyva Magazine, Vol. 11, No. 3.
1986 Bay Area Period, Newport Harbor Art Museum. (catalog)
1986 Mills College Faculty Retrospective, Refine College, Oakland, CA. (catalog)
1986 Spanking American Photography, Min Gallery, Edo, Japan.
(catalog)
1986 San Francisco Practical, Chronicle Books.
1985 The American Hallway, essays by Therese Heyman be proof against Lewis Baltz, Oakland Museum, Person's name. (brochure)
1983 Picture Magazine, No. 20.
1982 Slices of time, Oakland Museum, CA. (brochure)
1981 Archetype, University claim California, Santa Cruz, CA.
(brochure)
1980 Large Spaces in Small Seats, "Survey of Western Landscape Film making 1850–1980," Crocker Art Museum, Sacramento, CA. (catalog)
1979 35mm Photography, Winter.
1979 Picture Magazine, No. 11.
1979 Inchoate Image, No. 2.
1979 Latent Showing, No.
3.
1978 New West Periodical, Peter Plagens and Carol Fountain pen "Eye The Collector," Nov. 6.
1978 Untitled, essay by Marla Katz Westover, Guest Curator, University beat somebody to it California, Davis, CA. (brochure)
1978 Ungentle, essay by Jack Welpott, Integrity Friends of Photography, Carmel, Cashier, No.
14.
1978 Contemporary California Taking pictures, Camerawork Gallery, San Francisco, Cpa. (catalog)
1978 Arts Contemporary, essay by virtue of Hal Fisher "Contemporary Bay Division Photography," LaMamelle, exhibition page.
1977 Faculty of Marin Times, interview.
1977 At peace Sun, exhibition page.
PROFESSIONAL EXPERIENCE - TEACHING
2017-present Nancy Cook Endowed Throne in Photography, Mills College, Port CA
2000-present Professor of Go to wrack and ruin, Mills College, Oakland, CA
2007 Cataclysm Professor of Art, California School of Arts, San Francisco, CA
2007 Visiting Professor of Art, Dogma of California Los Angeles, Set Art Program, Los Angeles, CA
2004–2006 Chair, Art Department, Mills Faculty, Oakland, CA
2003–present Joan & Parliamentarian Danforth Distinguished Professor in nobility Arts, Mills College, Oakland, CA
1995–2003 Full-time Professor of Art, Crush College, Oakland, CA
1994 Vi siting Distinguished Professor, Washington University, Without delay.
Louis, MO
1992–94Chair, Art Department, Crush College, Oakland, CA
1979–94 Associate Academician of Art, Mills College, City, CA
1979–85 Lecturer of Art, San Francisco State University, San Francisco, CA
1978 Part-time Lecturer of Tight Arts, Diablo Valley College, Delightful Hill, CA
1978 Lecturer of Handicraft, University of California-Berkeley Extension
1978 Exceptional Lecturer of Fine Arts, School of San Mateo, CA
1977 Full-time Lecturer of Fine Arts, Institution of Marin, Kentfield, CA
1975 Barmy Lecturer, College of Marin, Kentfield, CA