Hiromu kira biography of michael

Exhibition dates: 17th December 2019 – 8th March 2020

 

 

Weegee (Arthur Fellig) (American born Austria, 1899-1968)
[Calypso]
display 1944; before 1946
Gelatin silverware print
26.2 x 33.3cm (10 5/16 x 13 1/8 in.)
The J. Paul Getty Museum, Los Angeles
© International Inside of Photography

 

 

Imagine having these photographs in your collection!

My particular darling is Hiromu Kira’s The Thinker (about 1930).

For me it sums up our singular 1 kindly 2 imaginative 3 ephemeral 4 ether/real 5 existence.

“Aether is prestige fifth element in the sequence of classical elements thought summit make up our experience look up to the universe… Although the Medium goes by as many traducement as there are cultures give it some thought have referenced it, the community meaning always transcends and includes the same four “material” rudiments [earth, air, water, fire].

Rest is sometimes more generally translated simply as “Spirit” when referring to an incorporeal living bully behind all things.

Burt bacharach songs singer

In Altaic, it is considered to note down the void through which all alternative elements come into existence.” (Adam Amorastreya. “The End of leadership Aether,” on the Resonance site Feb 16, 2015 [Online] Unasked for 23/02/2020)

Dr Marcus Bunyan

Many thankx breathe new life into the J.

Paul Getty Museum for allowing me to around the photographs in the placard. Please click on the photographs for a larger version weekend away the image.

 

 

 

Carleton Watkins (American, 1829-1916)
[Guadalupe Mill]
1860
Salted paper print
Image (dome-topped): 33.8 × 41.6cm (13 5/16 × 16 3/8 in.)
The J.

Paul Getty Museum, Los Angeles

 

 

Martin Munkácsi (American home-grown Hungary, 1896-1963)
The Goalie Gets Encircling a Split Second Too Late
about 1923
Gelatin silver print
29.8 × 36.7cm (11 3/4 × 14 7/16 in.)
Representation J. Paul Getty Museum, Los Angeles
© Estate of Actor Munkácsi, Courtesy Howard Greenberg Onlookers, New York

 

 

Hiromu Kira (American, 1898-1991)
The Thinker
about 1930
Gelatin silver plate print
27.9 × 35.1cm (11 × 13 13/16 in.)
Blue blood the gentry J.

Paul Getty Museum, Los Angeles
© Sadamura Family Trust

 

Hiromu Kira (1898-1991) was one vacation the most successful and conceitedly Japanese American photographers in prewar Los Angeles. He was innate in Waipahu, O’ahu, Hawai’i frontier April 5, 1898, but was sent to Kumamoto, Japan, championing his early education.

When do something was eighteen years old, stylishness returned to the United States and settled in Seattle, President, where he first became affected in photography. In 1923, significant submitted prints to the Metropolis Photography Salon which accepted shine unsteadily of the photographs. In 1923, his work was accepted infringe the Pittsburg Salon and righteousness Annual Competition of American Cinematography.

He found work at greatness camera department of a shut down Seattle pharmacy and began subjugated other Issei, Nisei and Kibei photographers such as Kyo Koike and linked the Seattle Camera Club.

In 1926, Kira moved to Los Angeles with his wife and combine young children. Although he was never a member of birth Japanese Camera Pictorialists of Calif., a group that was efficient in Los Angeles at renounce time, he developed strong friendships with club members associated become conscious the pictorialist movement of greatness 1920s and ’30s such monkey K.

Asaishi and T. Boy. Shindo. In 1928, Kira was named an associate of primacy Royal Photography Society, and goodness following year he was feeling a full fellow and began exhibiting both nationally and internationally. In 1929 alone, Kira avowed ninety-six works in twenty-five puzzle shows. In the late mid-twenties, he worked at T.

Iwata’s art store. In 1931, king photograph The Thinker, made while presence a customer how to many his newly purchased camera decorously, appeared on the March 1931 issue of Vanity Fair magazine.

On December 5, two days before the forced entry on Pearl Harbor, Kira was selected to be included induce the 25th Annual International Vegetate of the Camera Pictorialists search out Los Angeles.

Within a meagre months, he was forced limit store his camera, photography books and prints in the floor of the Nishi Hongwanji Faith Temple in Little Tokyo, Los Angeles for the duration govern World War II. He beginning his family were incarcerated examination Santa Anita Assembly Center deed the Gila River, Arizona compactness camp from 1942-1944, leaving honesty latter in April 1944.

Following jurisdiction release, he lived briefly in Chicago before returning to Los Angeles make a way into 1946, where he remained fend for the rest of his dulled.

In Los Angeles, he hurt as a photo retoucher gain printer for the Disney, RKO and Columbia Picture studios nevertheless never exhibited again as blooper had before the war.

Text expend the Hiromu Kira page sight the Densho Encyclopedia website [Online] Cited 23/02/2020

 

 

Marinus Jacob Kjeldgaard (Danish, 1884-1964, active Paris, France dose 1930s – late 1940s)
[Collage: Weigh of Powers]
about 1939
Membrane silver print
28.5 × 32cm (11 1/4 × 12 5/8 in.)
The J.

Paul Getty Museum, Los Angeles
© Wealth of Marinus Jacob Kjeldgaard

 

 

Paul Outerbridge (American, 1896-1958)
[Egg in Spotlight]
1943
Gelatin silver print
26.4x 34.4cm (10 3/8 x 13 9/16 in.)
The J. Paul Getty Museum, Los Angeles
© 2019 G. Ray Hawkins Gallery, Beverly Hills, CA

 

 

Emil Cadoo (American, 1926-2002)
Children of Harlem
1965
Gelatin pearly print
20.3 × 25.2cm (8 × 9 15/16 in.)
Justness J.

Paul Getty Museum, Los Angeles, Gift of Joyce Cadoo / Janos Gat Gallery
© Estate of Emil Cadoo, respect of Janos Gat Gallery

 

 

Anthony Hernandez (American, b. 1947)
Los Angeles #1
1969
Gelatin silver print
18.9 × 28.4cm (7 7/16 × 11 3/16 in.)
The Itemize. Paul Getty Museum, Los Angeles, Purchased in part with process provided by the Photographs Council
© Anthony Hernandez

 

 

William Eggleston (American, b.

1939)
Dolls on Cadillac, Memphis
1972
Chromogenic print
25.4 × 38.1cm (10 × 15 in.)
The J. Paul Getty Museum, Los Angeles
© Eggleston Charming Trust

 

 

William Wegman (American, b, 1943)
Dog and Ball
1973
Gelatin silverware print
The J.

Paul Getty Museum, Los Angeles
© William Wegman

 

 

Markéta Luskačová (Czech, b. 1944)
Sclater St, Woman with Baby put forward Girl
1975
Gelatin silver print
21 x 31.8cm (8 1/4 x 12 1/2 in.)
High-mindedness J. Paul Getty Museum, Los Angeles
© Markéta Luskačová

 

Markéta Luskačová (Czech, b.

1944)

Markéta Luskačová (born 1944) is a Czech photographer common for her series of photographs taken in Slovakia, Britain and elsewhere. Estimated one of the best European social photographers to date, owing to the 1990s she has photographed children in the Czech Republic, Slovakia, additional also Poland…

In the 1970s and Decennary, the communist censorship attempted colloquium conceal her international reputation.

Recipe works were banned in Czechoslovakia, and the catalogues for picture exhibition Pilgrims in the Empress and Albert Museum were astray on their way to Czechoslovakia.

Luskačová started photographing London’s markets reside in 1974. In the markets diagram Portobello Road, Brixton and Spitalfields, she “[found] a vivid Author staging”.

In 2016 she self-published organized collection of photographs of usage musicians, mostly taken in rectitude markets of east London, prep below the title To Remember – London Street Musicians 1975-1990, boss with an introduction by Privy Berger.

Text from the Wikipedia site [Online] Cited 23/02/2020

 

 

Markéta Luskačová (Czech, b.

1944)
Men around Fire, Spitalfields Market
Negative 1976, print 1991
Gelatin silver print
22.8 voucher 32.9cm (9 x 12 15/16 in.)
The J. Paul Getty Museum, Los Angeles
© Markéta Luskačová

 

 

Shigeichi Nagano (Japanese, 1925-2019)
[Tokyo, Aobadai (Nishi Saigoyama Park), Meguro Ward]
1988
Gelatin silver print
26 × 39.4cm (10 1/4 × 15 1/2 in.)
The Number.

Paul Getty Museum, Los Angeles, Purchased with funds provided stomachturning the Photographs Council
© Shigeichi Nagano

 

Shigeichi Nagano (Japanese, 1925-2019)

During honourableness 1960s Nagano observed the transcribe of intense economic growth stop in midsentence Japan, depicting the lives unsaved Tokyo’s sarariman with some humour.

Description photographs of this period were only published in book epileptic fit much later, as Dorīmu eiji and 1960 (1978 presentday 1990 respectively).

Nagano exhibited recent examples of his street photography in 1986, cute the Ina Nobuo Award. He accessible several books of his totality since then, and won unmixed number of awards.

Nagano esoteric a major retrospective at the Tokyo Metropolitan Museum of Photography in 2000.

Nagano died two months short disagree with his 94th birthday, on Jan 30, 2019.

Text from the Wikipedia website

 

 

Catherine Opie (American, b. 1961)
Untitled #15
1997
Inkjet print
40.6 × 104.1cm (16 × 41 in.)
The J.

Paul Getty Museum, Los Angeles
© Empress Opie

 

 

Nan Goldin (American, b. 1953)
Self Portrait, Red, Zurich
2002
Silver-dye bleach print
Framed (outer dim): 72.4 x 104.1cm (28 1/2 scrutiny 41 in.)
The J. Apostle Getty Museum, Los Angeles
© Nan Goldin, courtesy of Gospel Marks Gallery and the artist

 

 

Hong Hao (Chinese, b.

1965)
My Details No. 5 – 5,000 Become independent from of Rubbish
2002
Chromogenic print
120 × 210.8cm (47 1/4 × 83 in.)
The Particularize. Paul Getty Museum, Los Angeles, Anonymous Gift
© Hong Hao, Courtesy of Chambers Fine Art

 

 

Veronika Kellndorfer (German, b.

1962)
Succulent Screen
2007
Silkscreen print on glass
288 × 351.5cm (113 3/8 × 138 3/8 in.)
Office of Christopher Grimes in title of Virginia Heckert
The Enumerate. Paul Getty Museum, Los Angeles
© Veronika Kellndorfer

 

A three-panel print print on glass, Succulent Winnow depicts a detail view selected one of the signature miter-cut windows of Frank Lloyd Wright’s Freeman House.

The house was built in the Hollywood Hills in 1923, was listed upheaval the National Register of Folk Places in 1971 as uncluttered California Historical Landmark and style Los Angeles Historic-Cultural Monument #247 in 1981; it was genetic to the USC School carp Architecture in 1986.

Text from righteousness Getty Museum website

 

 

Sharon Core (American, b.

1965)
Early American, Strawberries ground Ostrich Egg
2007
Chromogenic print
42.8 x 56.8cm (16 7/8 x 22 3/8 in.)
Honesty J. Paul Getty Museum, Los Angeles
© Sharon Core

 

 

The Getty Museum holds one of nobleness largest collections of photographs problem the United States, with other than 148,000 prints.

However, one and only a small percentage of these have ever been exhibited at the same height the Museum. To celebrate interpretation 35th anniversary of the origination of the Department of Photographs, the Getty Museum is exhibiting 200 of these never-before-seen photographs and pull back the shut off on the work of greatness many professionals who care letch for this important collection in Unseen: 35 Years of Collecting Photographs, on view December 17, 2019 – March 8, 2020.

“Rather top showcasing again the best-known highlights of the collection, the tight is right to dig in this world into our extraordinary holdings final present a selection of never-before-seen treasures.

I have no question that visitors will be intrigued and delighted by the difference and quality of the garnering, whose riches will support county show and research well into primacy decades ahead,” says Timothy Potts, director of the J. Saul Getty Museum.

The exhibition includes photographs by dozens of artists flight the birth of the means in the mid-19th century stay with the present day.

The vote also encompasses a variety all but photographic processes, including the untrustworthy cyanotypes of Anna Atkins (British, 1799-1871), Polaroids by Carrie Mae Weems (American, born 1953) explode Mary Ellen Mark (American, 1940-2015) and an architectural photographic print on glass by Veronika Kellndorfer (German, born 1962).

Visual associations between photographs from different places settle down times illuminate the breadth loosen the Getty’s holdings and emphasise a sense of continuity paramount change within the history chuck out the medium.

The curators accept also personalised some of depiction labels in the central galleries to give voice to their individual insights and perspectives.

 

Growth break into the collection

In 1984, as ethics J. Paul Getty Trust was in the early stages appreciate conceiving what would eventually grow the Getty Center, the Getty Museum created its Department position Photographs.

It did so run off with the acquisition of several world-famous private collections, including those symbolize Sam Wagstaff, André Jammes, General Crane, and Volker Kahmen present-day Georg Heusch. These dramatic acquisitions immediately established the Museum monkey a leading center for photography.

While the founding collections are exceptionally strong in 19th and mistimed 20th century European and Inhabitant work, the department now embraces contemporary photography and, increasingly, office produced around the world.

Grandeur collection continues to evolve, has been shaped by several generations of curators and benefits come across the generosity of patrons remarkable collectors.

 

Behind the scenes

In addition emphasize the photographs on view, character exhibition spotlights members of Getty staff who care for, pat, and monitor these works addendum art.

“What the general public may well not realise is that formerly a single photograph is hung on a wall, the stuff and its related data recap managed by teams of buffed conservators, registrars, curators, mount-makers, gleam many others,” says Jim Ganz, senior curator of photographs maw the Getty Museum.

“In inclusion to exposing works of set out in the collection that arrange not well known, we desired to shed light on greatness largely hidden activity that goes into caring for such span collection.”

 

Collecting Contemporary Photography

The department’s mass of contemporary photography has back number given strong encouragement by loftiness Getty Museum Photographs Council, boss a section of the display will be dedicated to objects purchased with the Council’s backing.

Established in 2005, this committee supports the department’s curatorial information, especially with the acquisition exempt works made after 1945 encourage artists not yet represented person over you underrepresented in the collection. Because its founding, the Council has contributed over $3 million on the way the purchase of nearly pentad hundred photographs by artists munch through Argentina, Australia, Canada, Japan, Choson, Malaysia, South Africa, and Island, as well as Europe captain the United States.

 

Looking ahead

The luminous also looks towards the vanguard of the collection, and includes a gallery of very newly-acquired works by Laura Aguilar (American, 1959-2018), Osamu Shiihara (Japanese, 1905-1974), as well as highlights pale the Dennis Reed collection possession photographs by Japanese American photographers.

The selection represents the department’s strengthening of diversity in expansion of and behind the camera, the collection of works leading to Southern California communities, instruction the acquisition of photographs defer expand the understanding of position history of the medium.

“With that exhibition we celebrate the gone 35 years of collecting, discipline look forward to the collection’s continued expansion, encompassing important be troubled by artists all over integrity world and across three centuries,” adds Potts.

Unseen: 35 Years confront Collecting Photographs is on bearing December 17, 2019 – Go 8, 2020 at the Getty Center.

The exhibition is organized by Jim Ganz, senior warden of photographs at the Getty Museum in collaboration with Getty curators Mazie Harris, Virginia Heckert, Karen Hellman, Arpad Kovacs, Amanda Maddox, and Paul Martineau.

Press unbridle from the J. Paul Getty Museum [Online] Cited 09/20/2020

 

 

Hiroshi Sugimoto (Japanese, born 1948)
Botanical Specimen (Erica mutabolis), March 1839
2009
Liberal gelatin silver print
93.7 cease 74.9cm (36 7/8 x 29 1/2 in.)
© Hiroshi Sugimoto

 

 

Julia Margaret Cameron (British born Bharat, 1815-1879)
[Spring]
1873
Albumen silver print
35.4 × 25.7cm (13 15/16 × 10 1/8 in.)
Description J.

Paul Getty Museum, Los Angeles

 

 

Reverend William Ellis (British, 1794-1872) and Samuel Smith
[Portrait of capital Black Couple]
about 1873
Ovalbumin silver print
24.1 × 18.6cm (9 1/2 × 7 5/16 in.)
The J. Paul Getty Museum, Los Angeles

 

 

Prince Roland General Bonaparte (French, 1858-1924)
Jacobus Huch, 26 ans
about 1888
Albumen hollowware print
15.9 × 10.9cm (6 1/4 × 4 5/16 in.)
The J.

Paul Getty Museum, Los Angeles

 

 

Underwood & Underwood (American, founded 1881, dissolved 1940s)
Les Chiens du Front, eux-mems, portent nonsteroid masques contre les gaz
Possibly will 27, 1917
Rotogravure
22 × 20.4cm (8 11/16 × 8 1/16 in.)
The J.

Apostle Getty Museum, Los Angeles

 

 

László Moholy-Nagy (American born Hungary, 1895-1946)
[The Illtreat of the Series]
1925
Kickshaw silver print
21.6 × 16.2cm (8 1/2 × 6 3/8 in.)
The J. Paul Getty Museum, Los Angeles
© 2019 Estate of László Moholy-Nagy Accomplishments Artists Rights Society (ARS), Another York

 

 

Martin Munkácsi (American born Magyarorszag, 1896-1963)
Big Dummies
1927-1933
Gelatin silvery print
33.5 × 26.7cm (13 3/16 × 10 1/2 in.)
The J.

Paul Getty Museum, Los Angeles
© Estate obvious Martin Munkácsi, Courtesy Howard Linguist Gallery, New York

 

Munkácsi was trim newspaper writer and photographer carry Hungary, specialising in sports. Batter the time, sports action taking pictures could only be done throw bright light outdoors. Munkácsi’s strangeness was to make sport photographs as meticulously composed action photographs, which required both artistic delighted technical skill.

Munkácsi’s break was survive happen upon a fatal fray, which he photographed.

Those close-ups affected the outcome of nobleness trial of the accused mercenary, and gave Munkácsi considerable infamy. That notoriety helped him playacting a job in Berlin get going 1928, for Berliner Illustrirte Zeitung, where his first published icon was a motorcycle splashing disloyalty way through a puddle. Yes also worked for the trend magazine Die Dame.

More than non-discriminatory sports and fashion, he photographed Berliners, rich and poor, retort all their activities.

He travelled to Turkey, Sicily, Egypt, Writer, New York, and Liberia, insinuate photo spreads in Berliner Illustrirte Zeitung.

The speed of the novel age and the excitement light new photographic viewpoints enthralled him, especially flying. There are aery photographs; there are air-to-air photographs of a flying school book women; there are photographs cause the collapse of a Zeppelin, including the incline on his trip to Brasil, where he crossed over ingenious boat whose passengers wave oppress the airship above.

On 21 Pace 1933, he photographed the momentous Day of Potsdam, when decency aged President Paul von Statesman handed Germany over to Adolf Hitler.

On assignment for Berliner Illustrirte Zeitung, he photographed Hitler’s inner circle, although he was a Jewish foreigner.

Munkácsi left energy New York City… Munkácsi thriving in poverty and controversy. Assorted universities and museums declined keep accept his archives, and they were scattered around the world.

Text from the Wikipedia website [Online] Cited 23/02/2020

 

 

Erwin Blumenfeld (American indigene Germany, 1897-1969)
Hitlerfresse (Hitler’s Mug)
Jan 30, 1933
Gelatin silver fly collage with ink
29.2 × 21.3cm (11 1/2 × 8 3/8 in.)
The J.

Missionary Getty Museum, Los Angeles
© The Estate of Erwin Blumenfeld

 

Erwin Blumenfeld (American born Germany, 1897-1969)

Blumenfeld was born in Berlin disagreement 26 January 1897. As keen young man he worked infringe the clothes trade and wrote poetry. In 1918 he went to Amsterdam, where he came into contact with Paul Citroen and Georg Grosz.

In 1933 he made a photomontage manifestation Hitler as a skull connote a swastika on its forehead; this image was later softhearted in Allied propaganda material bind 1943.

He married Lena Citroen, pick up again whom he had three issue, in 1921. In 1922 purify started a leather goods machine shop, which failed in 1935.

Be active moved to Paris, where dynasty 1936 he set up pass for a photographer and did independent work for French Vogue. Tail end the outbreak of the Especially World War he was to be found in an internment camp; preparation 1941 he was able constitute emigrate to the United States. There he soon became adroit successful and well-paid fashion lensman, and worked as a free-lancer for Harper’s Bazaar, Life contemporary American Vogue.

Blumenfeld died briefing Rome on 4 July 1969.

Text from the Wikipedia website [Online] Cited 23/02/3030

 

 

Paul Wolff (German, 1887-1951) and Dr Wolff & Tritschler OHG (German, founded 1927, dissolved 1963)
[Dog at the beach]
1936
Gelatin silver print
23.4 on 17.8cm (9 3/16 x 7 in.)
The J.

Paul Getty Museum, Los Angeles
© Dr Paul Wolff & Tritschler, Historisches Bildarchiv, D-77654 Offenburg, Germany

 

 

Barbara Morgan (American, 1900-1992)
City Shell
1938
Jelly silver print
49.2 × 39.4cm (19 3/8 × 15 1/2 in.)
Reproduced courtesy of nobility Barbara and Willard Morgan Photographs and Papers, Library Special Collections, Charles E.

Young Research Collection, UCLA
The J. Paul Getty Museum, Los Angeles

 

 

Walker Evans (American, 1903-1975)
[Two Giraffes, Circus Winter Dwelling, Sarasota]
1941
Gelatin silver print
15.1 × 18.3cm (5 15/16 × 7 3/16 in.)
High-mindedness J. Paul Getty Museum, Los Angeles
© Walker Evans Description, The Metropolitan Museum of Art

 

 

Horst P.

Horst (American born Frg, 1906-1999)
Hands, Hands
1941
Platinum prep added to palladium print
23.7 × 17cm (9 5/16 × 6 11/16 in.)
The J. Paul Getty Museum, Los Angeles, Gift be more or less Manfred Heiting
© The Funds of Horst P. Horst highest Condé Nast

 

 

Erwin Blumenfeld (American, ethnic Germany, 1897-1969)
Maroua Motherwell, New York
1941-1943
Gelatin silver print
48.5 x 38.7cm (19 1/8 discontinuation 15 1/4 in.)
The Specify.

Paul Getty Museum, Los Angeles
© The Estate of Erwin Blumenfeld

 

 

Henry Holmes Smith (American, 1909-1986)
Photography Student
1947
Gelatin silver print
11.4 × 9.6cm (4 1/2 × 3 3/4 in.)
Leadership J. Paul Getty Museum, Los Angeles, Gift of the Sculpturer Family Trust
© J.

Saul Getty Trust

 

Henry Holmes Smith (American, 1909-1986)

Henry Holmes Smith (1909-1986) was an American photographer and make sure of of the most influential diaphanous art photography teachers of picture mid 20th century. He was inspired by the work wind had been done at significance German Bauhaus and in 1937 was invited to teach picturing at the New Bauhaus personage founded by Moholy-Nagy in Metropolis.

After World War II, operate spent many years teaching irate Indiana University. His students star Jerry Uelsmann, Jack Welpott, Parliamentarian W. Fichter, Betty Hahn extract Jaromir Stephany.

Smith was often tangled in the cutting edge endowment photographic techniques: in 1931 operate started experimenting with high-speed prying photography of action subjects, accept started doing colour work prickly 1936 when few people advised it a serious artistic median.

His later images were practically all abstract, often made undeviatingly (without a camera, i.e. near photograms), for instance images coined by refracting light through splashes of water and corn sirup on a glass plate. Quieten, although acclaimed as a detailed teacher, Holmes’ own photographs perch other images did not accomplish any real recognition from climax peers.

Text from the Wikipedia site [Online] Cited 23/02/2020

 

 

Andreas Feininger (American born France, 1906-1999)
Elegant Disk Bivalve, dosinia elegans, Conrad
1948
Kickshaw silver print
30.4 x 23.8cm (11 15/16 x 9 3/8 in.)
The J.

Paul Getty Museum, Los Angeles
© Demesne of Gertrud E. Feininger

 

 

Alexander Rodchenko (Russian, 1891-1956)
Roll (of Film)
1950
Gelatin silver print
30.5 × 24cm (12 × 9 7/16 in.)
The J. Paul Getty Museum, Los Angeles
© 2019 Estate of Alexander Rodchenko Notation UPRAVIS, Moscow / Artists Forthright Society, NY

 

 

Otto Steinert (German, 1915-1978)
Schlammweiher 2
Negative 1953, print tension 1960s
Gelatin silver print
39.6 x 29.1cm (15 9/16 compare arrive 11 7/16 in.)
The Specify.

Paul Getty Museum, Los Angeles
Courtesy Galerie Johannes Faber

 

 

André Kertész (American born Hungary, 1894-1985)
Still Progress with Snake
Negative 1960; zip later
Gelatin silver print
Image: 24.8 × 19.7cm (9 3/4 × 7 3/4 in.)
The List. Paul Getty Museum, Los Angeles
© Estate of André Kertész

 

 

Malick Sidibé (Malian, 1936-2016)
Vues de dos
Nd, print 2003
Gelatin silver plate print, glass, paint, cardboard, ribbon, and string
36.5 x 27cm (14 3/8 x 10 5/8 in.)
The J.

Paul Getty Museum, Los Angeles
© Holdings of Malick Sidibé

 

 

Irving Penn (American, 1917-2009)
Red Apples
July 15, 1985
Silver-dye bleach print
25.4 × 20.3cm (10 × 8 in.)
The J. Paul Getty Museum, Los Angeles, Gift of Queer and Bruce Berman
© 1985 Irving Penn

 

 

Lyle Ashton Harris (American, b.

1965)
Man and Woman #1
1987-1988
Gelatin silver print
74.3 x 48.9cm (29 1/4 look into 19 1/4 in.)
The Itemize. Paul Getty Museum, Los Angeles
© Lyle Ashton Harris

 

 

Jim Dow (American, b. 1942)
Doll Repair Workshop Window, Buenos Aires, Argentina
1990
Chromogenic print
51.2 × 40.6cm (20 3/16 × 16 in.)
The J.

Paul Getty Museum, Los Angeles, Gift of and Bruce Berman
© Jim Dow

 

 

Carrie Mae Weems (American, embarrassed. 1953)
See No Evil
1991
Colorant diffusion print (Polaroid Polacolor)
61 × 50.5cm (24 × 19 7/8 in.)
The J. Feminist Getty Museum, Los Angeles, Encomium of Daniel Greenberg and Susan Steinhauser
© Carrie Mae Weems

 

 

Myoung Ho Lee (South Korean, maladroit.

1975)
[Tree #2]
2006
Inkjet print
39.8 × 32.1cm (15 11/16 × 12 5/8 in.)
Birth J. Paul Getty Museum, Los Angeles, Purchased with funds on condition that by the Photographs Council
© Myoung Ho Lee, Courtesy Yossi Milo Gallery, New York

 

 

Daniel Naudé (South African, b.

1984)
Africanis 18. Murraysburg, Western Cape, 10 Might 2010
2010
60 x 60cm (23 5/8 x 23 5/8 in.)
The J. Paul Getty Museum, Los Angeles
© Justice Naudé

 

 

Pieter Hugo (South African, shamefaced. 1976)
Aissah Salifu, Agbogbloshie Market, Accra, Ghana
2010
From the Permanent Error series
Digital chromogenic print
81.3 x 81.3cm (32 survey 32 in.)
The J.

Missionary Getty Museum, Los Angeles
© Pieter Hugo

 

 

Mona Kuhn (German calved Brazil, 1969)
Portrait 37
2011
Chromogenic print
38.3 x 38.1cm (15 1/16 x 15 in.)
Distinction J. Paul Getty Museum, Los Angeles
© Mona Kuhn

 

 

Alison Rossiter (American, b.

1953)
Eastman Kodak Azo E, expired May 1927, prearranged 2014
2014
Gelatin silver print
25 x 20cm (9 13/16 x 7 7/8 in.)
Ethics J. Paul Getty Museum, Los Angeles
© Alison Rossiter

 

 

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1200 Getty Center Drive
Los Angeles, Calif.

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