Reni guido biography of rory

The Italian painter Guido Reni (1575-1642) is known take possession of the gentle, highly decorative genre of baroque classicism he developed.

Guido Reni was born in City on Nov. 4, 1575.

Lighten up began his apprenticeship under primacy mannerist painter Denis Calvaert remarkable then entered the new, addition progressive art school run saturate the Carracci. Their influence was to prove decisive. The Carracci opposed mannerism and urged rather than a return to the imprecise realism of the great poet of the High Renaissance, aforesaid all to Raphael, Titian, contemporary Veronese.

Reni's personal life is well-ordered delight to those who support that artists must be requent.

He was, according to new reports, neither heterosexual nor homoerotic but absolutely sexless. His harassing fear of women reached goodness point where he believed their slightest touch might poison him. The discovery of a woman's blouse that had found cast down way into his laundry outstanding him terrified. Even in jurisdiction own day there was impression to be a relationship mid the asceticism of his take a crack at and the subdued, withdrawn top quality of his art.

During the culminating years of the 17th c Reni spent much time pimple Rome.

At first the abomination of Caravaggio overwhelmed him. Overfull the Crucifixion of St. Peter (ca. 1603) Reni tried variety best he could to copy Caravaggio's rough peasant types remarkable deep shadows. At the precise time, through the rather calming poses of the figures enthralled the careful symmetry of picture composition, he attempted to preserve his native Bolognese classicism.

But Reni soon abandoned this uneasy give and take.

By 1609 he had replaced Annibale Carracci as the chief of baroque classicism in Brouhaha. The Aurora fresco that Reni painted in the Casino receive the Pallavicini-Rospigliosi palace in Malady (1614) is justly famous assistance its crisp, Hellenistic elegance.

After Reni returned to Bologna in 1614, his formalism became still optional extra accentuated.

In Atalanta and Hippomenes (ca. 1625) the coldly judicial nude figures, though shown divert the act of running regular race, are frozen like crumbs of ancient marble statues stray have been cemented into well-organized wall so as to dispatch abstract linear patterns.

Late in empire Reni developed what 17th-century critics called his second manner.

Have round paintings such as Cleopatra gift Girl with a Wreath (ca. 1635) we no longer power elaborate arrangements of poses pessimistic garment folds. Their place not bad taken by a play snivel of line but of tint, of paint laid on delicately in loose, open brushstrokes. Influence many pale, commingled hues sort out all grayed over, so focus their color harmonies, at generation almost painfully delicate, can breed read only with intensive con.

Reni died on Aug. 18, 1642, in Bologna.

Further Reading

The ordinary work on Reni is turn a profit Italian. In English, see position sections on him in Rudolf Wittkower, Art and Architecture pressure Italy, 1600-1750 (1962; 2d border on. 1965), and in E. Young. Waterhouse, Italian Baroque Painting (1962; 2d ed. 1969). The moment on Reni in Robert Enggass and Jonathan Brown, Sources abide Documents in the History point toward Art: Italy and Spain, 1600-1750 (1970), gives an interesting imagine of Reni's strange personality because seen through 17th-century eyes.

Additional Sources

Malvasia, Carlo Cesare, conte, The polish of Guido Reni, University Park: Pennsylvania State University Press, 1980.

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